The New York Times bestselling memoir from the creator of some of the most iconic television programs ever, including All in the Family, Maude, Good Times, The Jeffersons, and Mary Hartman, Mary Hartman.
“Charming, candid, and copious . . . There is still a lot of zest, passion, and whimsy in the man who taught Americans to laugh at their failings.” —The New York Times
Norman Lear’s iconic television programs—most memorably All in the Family—drew in as many as 120 million viewers each week. These shows dealt with the most serious issues of the day—racism, poverty, abortion—yet still left audiences howling with laughter. But TV is only a fraction of Lear’s tale. The renowned producer came of age during the Great Depression and fought in World War II, staging variety shows for his fellow airmen in addition to flying fifty-two bombing missions. After the war he caught his break as a comedy writer in Hollywood, soon working with Dean Martin and Jerry Lewis. Movies with Frank Sinatra, Dick Van Dyke, and Jason Robards followed. Then came the ’70s and Lear’s legendary string of TV hits. Filled with moving insights and behind-the-scenes stories from the shows that redefined the medium, Even This I Get to Experience is a memoir as touching, funny, and remarkable as any of Lear’s unforgettable creations.
"Lear is one of the great storytellers of our time...This book should be required reading for everyone working in Hollywood." —James Patterson
“One of the best Hollywood memoirs ever written . . . an absolute treasure.” —Booklist, starred review
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Norman Lear was the television producer of such groundbreaking sitcoms as All in the Family, Sanford and Son, One Day at a Time, The Jeffersons, Good Times, and Maude. He received four Emmy awards, a Peabody, and the National Medal of Arts. As an advocate, Lear founded People For the American Way and supported First Amendment rights and other progressive causes. He died in 2023.
WHEN I WAS A BOY I thought that if I could turn a screw in my father’s head just a sixteenth of an inch one way or the other, it might help him to tell the difference between right and wrong. I couldn’t, of course, and ultimately he—and I—had to pay a serious price for his confusion.
In late June of 1931, just out of third grade and a month away from turning nine, I was eagerly looking forward to my first experience at summer camp. A roll of cloth tape imprinted with “Norman M. Lear, Norman M. Lear, Norman M. Lear . . .” sat on the kitchen counter, waiting for my mother to cut it up and sew my name into the clothes I’d be taking with me in a few weeks.
Meanwhile, my father was about to take a plane to Tulsa. None of my friends in Chelsea, Massachusetts, knew anybody who had ever flown anywhere. It had been only four years since Charles Lindbergh flew thirty-three and a half hours in his single-engine Spirit of St. Louis to get from New York to Paris, and the rare plane that was spotted in the sky had us kids chasing around in the street yelling, “Lindy, Lindy!” So Dad flying to Oklahoma was a big deal.
He was traveling on some kind of business—“Monkey business!” said my mother, who sensed that the men he’d fallen in with were not to be trusted—and for my upcoming birthday he was going to bring me back a ten-gallon hat just like the one worn by my favorite film cowboy, Ken Maynard.
“Herman, I don’t like this,” she told him. “I don’t want you to see those men.” But Herman, as always, knew better.
“Jeanette!” he screamed, the veins in his neck bulging as he stood over her with his nose all but pressing hers. “Stifle!” And off he went.
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