Move over, Holden Caulfield, and meet Marshall Field Finney, in the 30th anniversary edition of Right by My Side, by a celebrated chronicler of Black middle class life in the American Midwest
A Penguin Classic
With wit and realism, David Haynes presents a different kind of Holden Caulfield in fifteen-year-old Marshall Field Finney, an ordinary, sullen teenager who discovers storytelling as a way to ease his adolescent anger and family tensions. Living with his parents in “Washington Park,'' a housing development outside St. Louis, Missouri in the 1980s, his high-strung mother walks out on him and his father, a flawed yet strong man who manages the local landfill. Marshall's two best friends, one Black and one white, are his only allies, as they navigate school and family life together. Through these relationships, Haynes poses Marshall's universal questions about his place in his community and what’s next in his life. Ultimately, Marshall’s story proves that people take care of each other, families take care of others, and a boy finds his own resilience to become a young man.
"[Haynes] belongs to the old realist tradition that believes that everyday life, if truly rendered, is more than exciting enough."—Los Angeles Times Book Review
"Haynes offers engaging characters who tackle fundamental issues such as love, family and benevolence," Publishers Weekly
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David Haynes is the author of seven novels for adults and five books for younger readers. He is an emeritus professor of English at Southern Methodist University, where he directed the creative writing program for ten years. Since 1996 he has taught regularly in the MFA Program for Writers at Warren Wilson College. Several of his short stories have been read and recorded for the National Public Radio series Selected Shorts. His seventh and most recent novel is A Star in the Face of the Sky. He currently serves as Board Chair of Kimbilio.
Big Sam is waiting for me in his orange chair.
“Your Aunt Lucille called.”
Oops. Before I can b.s. as to how calling her slipped my mind, how I’d decided not to call, how I didn’t get an answer, Sam says:
“I guess the old bitch caught wind on the family grapevine that we were looking for your mama.”
Lucille is Rose’s mother’s sister. She could smell family trouble across the continental divide, and the Central West End is a lot closer than that. There’s been bad blood between her and Sam ever since she floor-showed at the big wedding. I understand that names such as “heathen” and “dried up old heifer” were exchanged, and that Rose herself fainted dead away—organdy, orange blossoms, and all.
“Let’s get our stories straight,” Sam says. “I told her you were upset and confused and that everything is fine.”
“Sure thing,” I say, nodding, sealing the pact.
“You cover the phone. You know when to come get me.”
“Yes, sir.” More nodding.
He calls me a good boy and rubs me on the head before ushering a six pack to his room. I won’t see him again today.
*
About eleven the phone rings. I turn from Johnny Carson, and there Sam is. His eyes are bleary red and he is halfway into a rumpled pair of pajamas. He nods at the phone. I just look at it. It rings some more; Sam nods again.
“Hello,” I say.
“Marshall. Is that you, Marshall?”
Lying with my eyes, I shake my head at Big Sam. I say hello again.
“Please put your daddy on the phone. Please.”
“No, I think you have the wrong number.”
Big Sam crumples his fists in disappointment.
“Marshall.” Rose’s voice sounds distant and vague.
“That’s quite all right,” I say, and I hang up. I put a hand on Big Sam’s shoulder and walk him to bed. The phone rings again.
“Go on to bed. I’m sure it’s that same wrong number. Let it ring. She’ll give up sooner or later.”
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