Articles liés à Aesop's Fables

9780146000966: Aesop's Fables

Synopsis

Book by Aesop

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Revue de presse

AESOP'S FABLES[STARRED REVIEW!]

Illustrator: Moerbeek, Kees

Illustrator: Beatrice, Chris

Illustrator: Whatley, Bruce

Huge, extravagantly designed and detailed pop-up illustrations for 10 classic cautionary tales showcase a trio of uncommon talents. Beatrice and Whatley collaborate seamlessly on the visuals, producing in traditional outdoor or rural settings a cast of realistic but broadly expressive animal figures. Many of these, particularly the wonderfully snarky-looking goose laying gold-foil eggs and the frantic, massive lion that lunges up at viewers through an entangling net as his spread opens, will elicit involuntary "Whoa"s of startled admiration. The fables, one per opening except for a miraculously un-crowded quintet gathered on the central spread, are paired to large central tableaux and smaller but only slightly less complex pop-ups in corner booklets. All are pithy versions of the usual Aesopian suspects written in a fluid, contemporary style ("You do indeed have a beautiful voice," the fox assures the cheeseless crow, "but you don't seem to have a brain!") with some morals embedded and others laid out explicitly. Veteran paper engineer that he is, Moerbeek concocts ingeniously multilayered, interwoven constructions that are vulnerable to grabby little hands but, with careful supervision, sturdy enough to survive multiple shared readings. Timeless wisdom, splendidly decked out.

"Kirkus", November 1, 2011 *STARRED

AESOP'S FABLES [STARRED REVIEW!]
Illustrator: Moerbeek, Kees
Illustrator: Beatrice, Chris
Illustrator: Whatley, Bruce
Huge, extravagantly designed and detailed pop-up illustrations for 10 classic cautionary tales showcase a trio of uncommon talents. Beatrice and Whatley collaborate seamlessly on the visuals, producing in traditional outdoor or rural settings a cast of realistic but broadly expressive animal figures. Many of these, particularly the wonderfully snarky-looking goose laying gold-foil eggs and the frantic, massive lion that lunges up at viewers through an entangling net as his spread opens, will elicit involuntary Whoa s of startled admiration. The fables, one per opening except for a miraculously un-crowded quintet gathered on the central spread, are paired to large central tableaux and smaller but only slightly less complex pop-ups in corner booklets. All are pithy versions of the usual Aesopian suspects written in a fluid, contemporary style ( You do indeed have a beautiful voice, the fox assures the cheeseless crow, but you don t seem to have a brain! ) with some morals embedded and others laid out explicitly. Veteran paper engineer that he is, Moerbeek concocts ingeniously multilayered, interwoven constructions that are vulnerable to grabby little hands but, with careful supervision, sturdy enough to survive multiple shared readings. Timeless wisdom, splendidly decked out.
"Kirkus," November 1, 2011 *STARRED" --Kirkus Reviews

This book makes good use of the format to showcase 10 traditional tales. Five of the fables are presented on handsomely illustrated spreads, each including a dramatic 3-D sculpture that takes center stage and two smaller foldouts embellished with movable parts that contain the bulk of the text. Whether it's a smug-looking goose spreading her wings and lording it over a golden egg, a crow perched atop a tree clasping a piece of cheese in her beak while a hungry fox looks greedily on from below, or a rope-tangled lion that seems to bound right off the page, each centerpiece pop-up does an excellent job of grabbing readers' attention and drawing them into the story. In each case, a foldout or pull-tab animal cleverly incorporated into the scene can be manipulated to reveal the tale's moral. Five more fables, including "The Wind and the Sun," "The Dog and His Bone," and "Two Travelers and a Bear," are presented in a single spread via mini booklets. Throughout, rich earthy hues, lush forest landscapes, and vivid detail make the illustrations appealing. The straightforward text aptly conveys the gist of each tale, and a brief section offers background about Aesop. Share this book aloud to introduce these well-known fables but be prepared to hand it over to children eager to explore the delightfully detailed and fairly sturdy pop-up pages on their own.
--SLJ, September 2011

AESOP'S FABLES [STARRED REVIEW!]
Illustrator: Moerbeek, Kees
Illustrator: Beatrice, Chris
Illustrator: Whatley, Bruce
Huge, extravagantly designed and detailed pop-up illustrations for 10 classic cautionary tales showcase a trio of uncommon talents. Beatrice and Whatley collaborate seamlessly on the visuals, producing in traditional outdoor or rural settings a cast of realistic but broadly expressive animal figures. Many of these, particularly the wonderfully snarky-looking goose laying gold-foil eggs and the frantic, massive lion that lunges up at viewers through an entangling net as his spread opens, will elicit involuntary "Whoa"s of startled admiration. The fables, one per opening except for a miraculously un-crowded quintet gathered on the central spread, are paired to large central tableaux and smaller but only slightly less complex pop-ups in corner booklets. All are pithy versions of the usual Aesopian suspects written in a fluid, contemporary style ("You do indeed have a beautiful voice," the fox assures the cheeseless crow, "but you don't seem to have a brain!") with some morals embedded and others laid out explicitly. Veteran paper engineer that he is, Moerbeek concocts ingeniously multilayered, interwoven constructions that are vulnerable to grabby little hands but, with careful supervision, sturdy enough to survive multiple shared readings. Timeless wisdom, splendidly decked out.
Kirkus, November 1, 2011 *STARRED --Kirkus Reviews

Présentation de l'éditeur

Translated by George Fyler Townsend. Show Excerpt at who can." The Fox and the Goat A FOX one day fell into a deep well and could find no means of escape. A Goat, overcome with thirst, came to the same well, and seeing the Fox, inquired if the water was good. Concealing his sad plight under a merry guise, the Fox indulged in a lavish praise of the water, saying it was excellent beyond measure, and encouraging him to descend. The Goat, mindful only of his thirst, thoughtlessly jumped down, but just as he drank, the Fox informed him of the difficulty they were both in and suggested a scheme for their common escape. "If," said he, "you will place your forefeet upon the wall and bend your head, I will run up your back and escape, and will help you out afterwards." The Goat readily assented and the Fox leaped upon his back. Steadying himself with the Goat's horns, he safely reached the mouth of the well and made off as fast as he could. When the Goat upbraided him for breaking his promise, he turned around and cried out, "You foolish old fellow! If

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