Articles liés à Nothing but Noise: Timbre and Musical Meaning at the...

Nothing but Noise: Timbre and Musical Meaning at the Edge - Couverture rigide

Wallmark, Zachary

 
9780190495107: Nothing but Noise: Timbre and Musical Meaning at the Edge
Couverture rigide
ISBN 10 : 0190495103 ISBN 13 : 9780190495107
Editeur : Oxford University Press Inc, 2022

Synopsis

Nothing but Noise: Timbre and Musical Meaning at the Edge explores how timbre shapes musical affect and meaning. Integrating perspectives from musicology with the cognitive sciences, author Zachary Wallmark advances a novel model of timbre interpretation that takes into account the bodily, sensorimotor dynamics of sound production and perception. The contribution of timbre to musical experience is clearest in drastic situations where meaning is itself contested; that is, in polarizing contexts of reception where evaluation of "musical" timbre by some listeners collides headlong against a competing claim-that it is just "noise." Taking this ubiquitous moment as a starting point, the book explores affect, reception, and timbre semantics through diverse cultural-historical case studies that frustrate the acoustic and perceptual boundary between musical sound and noise.

Nothing but Noise includes chapters on the racial and gender politics in the reception of free jazz saxophone "screaming" in the late 1960s; an analysis of contested timbral ideals in the performance practices of the Japanese shakuhachi flute; and an historical examination of the overlooked role of "brutal" timbres in the moral panic over heavy metal in the eighties and nineties. The book closes with a discussion of the slippery social fault lines separating perceptions of musical sound from noise and the ethical stakes of encountering another's "aural face."

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

Zachary Wallmark teaches musicology and music cognition at the University of Oregon. His interdisciplinary research on timbre and popular music has been supported by the NEH and the GRAMMY Museum Foundation. He is coeditor (with Robert Fink and Melinda Latour) of The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford, 2018).

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Oxford University Press Inc
Date d'édition
2022
Langue
anglais
ISBN 10 
0190495103
ISBN 13 
9780190495107
Reliure
Relié
Nombre de pages
232
Coordonnées du fabricant
non disponible
Personne responsable
Ufficio Anagrafiche Messaggerie
ufficio.anagrafiche@meli.it

Via Verdi, 8
Assago Milano
20090
Italie