We've all encountered protagonists who, over the course of a novel, turn out to be more complicated than we thought at first. But what does one do with a major character who simplifies as a novel progresses, to the point where even this novel's other characters begin to disregard him? Flat Protagonists shows that writers have undertaken such formal experiments-which give rise to its titular "flat protagonists"-since the novel's incipience. It finds such characters in British and French novels ranging from the late-seventeenth to the early-twentieth century by Aphra Behn, Isabelle de Charrière, Françoise de Graffigny, Thomas Hardy, and Marcel Proust.
Marta Figlerowicz argues that these uncommon flat protagonists challenge our larger views about the novel as a genre. Upending a longstanding tradition of valuing characters for their complexity, Figlerowicz proposes that novels, and their characters, should be appreciated for highlighting the limits to how much attention any particular person's self-expression tends to garner, and how much insight anyone has to offer her community. As invitations to consider how we might come across to others, rather than merely how others come across to us, flat protagonists both subvert and complement the more conventional approach to novels as, at their best, sites of instruction in interpersonal empathy.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Marta Figlerowicz is Assistant Professor of Comparative Literature and English at Yale University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Good. We've all encountered protagonists who, over the course of a novel, turn out to be more complicated than we thought at first. But what does one do with a major character who simplifies as a novel progresses, to the point where even this novel's other characters begin to disregard him? Flat Protagonists shows that writers have undertaken such formal experiments-which give rise to its titular "flat protagonists"-since the novel's incipience. It finds such characters in British and French novels ranging from the late-seventeenth to the early-twentieth century by Aphra Behn, Isabelle de Charrière, Françoise de Graffigny, Thomas Hardy, and Marcel Proust. Marta Figlerowicz argues that these uncommon flat protagonists challenge our larger views about the novel as a genre. Upending a longstanding tradition of valuing characters for their complexity, Figlerowicz proposes that novels, and their characters, should be appreciated for highlighting the limits to how much attention any particular person's self-expression tends to garner, and how much insight anyone has to offer her community. As invitations to consider how we might come across to others, rather than merely how others come across to us, flat protagonists both subvert and complement the more conventional approach to novels as, at their best, sites of instruction in interpersonal empathy. N° de réf. du vendeur 00078994114
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Vendeur : Scissortail, Oklahoma City, OK, Etats-Unis
Etat : like_new. This is a used book in pristine condition. It has not yet been read. May or may not come in original packaging. May not contain codes CDs Inserts that is included with the book. Box sets will include original box in tact. Cover and interior may vary slightly from retail edition. *Your satisfaction is our 1 priority so please feel free to contact us if you have any questions or concerns about your purchase. Thank you for choosing to shop with us and happy reading! N° de réf. du vendeur STM.IUF
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. We've all encountered protagonists who, over the course of a novel, turn out to be more complicated than we thought at first. But what does one do with a major character who simplifies as a novel progresses, to the point where even this novel's other characters begin to disregard him? Flat Protagonists shows that writers have undertaken such formal experiments-which give rise to its titular "flat protagonists"-since the novel's incipience. It finds such characters in British and French novels ranging from the late-seventeenth to the early-twentieth century by Aphra Behn, Isabelle de Charrière, Françoise de Graffigny, Thomas Hardy, and Marcel Proust. Marta Figlerowicz argues that these uncommon flat protagonists challenge our larger views about the novel as a genre. Upending a longstanding tradition of valuing characters for their complexity, Figlerowicz proposes that novels, and their characters, should be appreciated for highlighting the limits to how much attention any particular person's self-expression tends to garner, and how much insight anyone has to offer her community. As invitations to consider how we might come across to others, rather than merely how others come across to us, flat protagonists both subvert and complement the more conventional approach to novels as, at their best, sites of instruction in interpersonal empathy. N° de réf. du vendeur CIN0190496762G
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Vendeur : APJ Horton, London, Royaume-Uni
Hardcover. Etat : Fine. Etat de la jaquette : Fine. xi, 189 pages. Inside front cover blurb: We've all encountered protagonists who, over the course of the novel, turn out to be more complicated than we thought at first. But what does one do with a major character who simplifies as the novel progresses, to the point where even this novel's other characters begin to discard him? Flat Protagonists shows that writers have undertaken such formal experiments since the novel's incipience. It finds such characters in British and French novels ranging from the late-seventeenth century to the early-twentieth century by Aphra Behn, Isabelle de Charriere, Francoise de Graffigny, Thomas Hardy, and Marcel Proust . Figlerowicz proposes that novels, and their characters, should be appreciated for highlighting the limits to how much insight anyone has to offer her community. As invitations to consider how we might come across to others, rather than merely how others come across to us, flat protagonists both subvert and complement the more conventional approach to novels as, at their best, sites of instruction in interpersonal empathy. N° de réf. du vendeur ABE-1721213889643
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 28155374-n
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FU-9780190496760
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FU-9780190496760
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. N° de réf. du vendeur 49d6b619648c2e55689d3dd95b920c79
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 28155374
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. We've all encountered protagonists who become more complicated over the course of a novel, but what does one do with a protagonist who simplifies as a novel progresses? This book examines such "flat protagonists" and shows why their existence challenges our current understanding of the novel as a genre. Num Pages: 208 pages. BIC Classification: 2AB; DSA; DSBF; DSK. Category: (G) General (US: Trade). Dimension: 216 x 147 x 20. Weight in Grams: 338. . 2017. hardcover. . . . . N° de réf. du vendeur V9780190496760
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