Our day-to-day musical enjoyment seems so simple, so easy, so automatic. Songs instantly emanate from our computers and phones, at any time of day. The tools for playing and making music, such as records and guitars, wait for us in stores, ready for purchase and use. And when we no longer need them, we can leave them at the curb, where they disappear effortlessly and without a trace. These casual engagements often conceal the complex infrastructures that make our musical cultures possible.
Audible Infrastructures takes readers to the sawmills, mineshafts, power grids, telecoms networks, transport systems, and junk piles that seem peripheral to musical culture and shows that they are actually pivotal to what music is, how it works, and why it matters. Organized into three parts dedicated to the main phases in the social life and death of musical commodities ― resources and production, circulation and transmission, failure and waste ― this book provides a concerted archaeology of music's media infrastructures. As contributors reveal the material-environmental realities and political-economic conditions of music and listening, they open our eyes to the hidden dimensions of how music is made, delivered, and disposed of. In rethinking our responsibilities as musicians and listeners, this book calls for nothing less than a reconsideration of how music comes to sound.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Kyle Devine, Associate Professor, Department of Musicology, University of Oslo, Norway, Alexandrine Boudreault-Fournier, Associate Professor of Anthropology, University of Victoria, Canada
Kyle Devine is Associate Professor in the Department of Musicology at the University of Oslo, Norway. He is the author of Decomposed: The Political Ecology of Music, which won a Professional and Scholarly Excellence (PROSE) Award from the Association of American Publishers as well as the IASPM Canada Book Prize.
Alexandrine Boudreault-Fournier is Associate Professor of Anthropology at the University of Victoria, Canada. She is the author of Aerial Imagination in Cuba: Stories from Above the Rooftops and Editor-in-Chief of the journal Anthropologica. She directed the film Golden Scars, partially funded by the National Film Board of Canada, and codirected the films Guardians of the Night, Fabrik Funk, and The Eagle.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Our day-to-day musical enjoyment seems so simple, so easy, so automatic. Songs instantly emanate from our computers and phones, at any time of day. The tools for playing and making music, such as records and guitars, wait for us in stores, ready for purchase and use. And when we no longer need them, we can leave them at the curb, where they disappear effortlessly and without a trace. These casual engagements often conceal the complex infrastructures that make our musical cultures possible. Audible Infrastructures takes readers to the sawmills, mineshafts, power grids, telecoms networks, transport systems, and junk piles that seem peripheral to musical culture and shows that they are actually pivotal to what music is, how it works, and why it matters. Organized into three parts dedicated to the main phases in the social life and death of musical commodities - resources and production, circulation and transmission, failure and waste - this book provides a concerted archaeology of music's media infrastructures. As contributors reveal the material-environmental realities and political-economic conditions of music and listening, they open our eyes to the hidden dimensions of how music is made, delivered, and disposed of. In rethinking our responsibilities as musicians and listeners, this book calls for nothing less than a reconsideration of how music comes to sound. N° de réf. du vendeur LU-9780190932640
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Paperback. Etat : new. Paperback. Our day-to-day musical enjoyment seems so simple, so easy, so automatic. Songs instantly emanate from our computers and phones, at any time of day. The tools for playing and making music, such as records and guitars, wait for us in stores, ready for purchase and use. And when we no longer need them, we can leave them at the curb, where they disappear effortlessly and without a trace. These casual engagements often conceal the complex infrastructures that make ourmusical cultures possible.Audible Infrastructures takes readers to the sawmills, mineshafts, power grids, telecoms networks, transport systems, and junk piles that seem peripheralto musical culture and shows that they are actually pivotal to what music is, how it works, and why it matters. Organized into three parts dedicated to the main phases in the social life and death of musical commodities DL resources and production, circulation and transmission, failure and waste DL this book provides a concerted archaeology of music's media infrastructures. As contributors reveal the material-environmental realities and political-economic conditions of music and listening, theyopen our eyes to the hidden dimensions of how music is made, delivered, and disposed of. In rethinking our responsibilities as musicians and listeners, this book calls for nothing less than areconsideration of how music comes to sound. Audible Infrastructures reveals the material, environmental, and economic conditions that underlie the production and consumption of music. In showing how central natural resources, power grids, and transportation are to music, this book boldly reshapes how we understand musical cultures and their place in society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780190932640
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