A Tale of a Tub is the masterpiece of Swift's earlier years. It is presented here with The Battle of the Books , The Mechanical Operation of the Spirit , and the Additions .
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Dublin on the 3oth of JN ovember 1667. He died on the ipth ofO ctober 1745, at the age of seventy-eight. He was of aY orkshire family which had a branch in I reland. A Rev. Thomas Swift in the reign of Queen Elizabeth was Rector of St A ndrews, Canterbury, during three-and-thirty years before his death in 1592. He had nine children or more, of whom one, William, succeeded to his fathers rectory. The Rev. William Swift married about four months after his fathers death. His wife was an heiress, Mary Philpott, who had a large estate, which she kept under her own control. This lady was our Jonathan Swift sgreat-grandmother. In a short sketch of his family, made by himself, Swift seems to have dwelt, from sense of heredity, on eccentricity of character in those from whom he was descended. In course of time he had become convinced of the fact that he had inherited a taint of insanity. In his underlying knowledge of this we find the key to actions in his life which it would otherwise be difficult to understand. Mary Philpott, who marriedS wift sgreat-grandfather, the Rev.
(Typographical errors above are due to OCR software and don't occur in the book.)
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This volume contains the three works which together make up Jonathan Swift's early satiric and intellectual masterpiece, A Tale of a Tub: the Tale itself, The Battel of the Books, and The Mechanical Operation of the Spirit. Incorporating much new knowledge, this 2010 edition provides the first full scholarly treatment of this important work for fifty years. The introduction discusses publication, composition, and authorship; sources, analogues and generic models; reception; and religious, scientific and literary contexts (including the ancients and moderns controversy). Detailed explanatory notes address many previously unexplained issues in this famously rich and difficult work. Texts have been fully collated and edited according to modern principles and are accompanied with a textual introduction and full textual apparatus. Illustrations include title pages, the eight engravings from the fifth edition, and original designs for these engravings. Extensive associated contemporary materials, including Edmund Curll's Key and William Wotton's Observations, are provided.
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