Juvenal, writing between AD 110 and 130, was one of the greatest satirists of Imperial Rome. His powerful and witty attacks on the vices, abuses and follies of the big city have been admired and used by many English writers, including Ben Jonson, Dryden and, most notably, Dr Johnson, who described his writing as a "mixture of gaiety and stateliness, of pointed sentences and declamatory grandeur". Juvenal has been seen as a stern moralist and, more recently, as an extravagant wit, and is acclaimed for his vivid description of the scenes which arouse his anger. He coined the famous phrase designating the people, "eager and anxious for two things only: bread and races" ("panem et circenses"). Niall Rudd's translation reproduces the original style and metrical effect of Juvenal's hexameters. William Barr's introduction and notes provide a literary and historical background to the 16 satires.
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Satire was a genre of poetry invented and developed by the Romans. When it came into Juvenal's hands, he stamped his mark upon it: indignation. His angry voice had an overwhelming influence upon later European satirists and persists in modern forms of satire. In this new commentary, Susanna Morton Braund situates Juvenal within the genre of satire and illuminates his appropriation of the 'grand style' of declamatory rhetoric and epic poetry for his indignant persona in Satires 1–5, including the notorious second Satire. The commentary on each of the Satires is followed by an essay which offers an interpretation of the poem, including a synthesis of recent critical thought. These essays, together with the overview in the Introduction, present the first integrated reading of Book I as an organic structure.
`I wholeheartedly welcome the publication of this book. It will be immensely helpful to those of us who have to teach Roman satire in translation and the general reader will find it a reliable and readable version of an author who still has much to say to us.' Raymond Astbury, University College, Dublin
`The translation itself goes a long way towards catching J.'s mixture of rhetoric and wit. It is lively and taut ... translation is excellent, not only the best available in English but also good to read, no bad thing as most of its readers will be Latinless.' F. Jones, University of Liverpool, The Classical Review, Vol. XLII, 1992
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