"Great Expectations" charts the progress of Pip from childhood through often painful experiences to adulthood, as he moves from the Kent marshes to busy, commercial London, encountering a variety of extraordinary characters, ranging from Magwitch - the escaped convict, to Miss Haversham - locked up with her unhappy past, and living with her ward, the arrogant, beautiful Estella. In this compelling story, Dickens shows the dangers of being driven by a desire for wealth and social status. Pip must establish his own sense of self against the plans which others seem to have for him, and thus discover a firm set of values and priorities. Whether such values will allow one to prosper in the complex world of early-Victorian England is, however, the major question posed by "Great Expectations". This edition uses the text of the Clarendon edition, with a new introduction and explanatory notes. The appendices give the original, discarded ending, Dickens's brief working notes, and the serial instalments and chapter divisions in different editions.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Chapter I.
My father's family name being Pirrip, and my christian name Philip, my infant tongue could make of both names nothing longer or more explicit than Pip. So, I called myself Pip, and came to be called Pip.
I give Pirrip as my father's family name, on the authority of his tombstone and my sister – Mrs. Joe Gargery, who married the blacksmith. As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones. The shape of the letters on my father's, gave me an odd idea that he was a square, stout, dark man, with curly black hair. From the character and turn of the inscription, "Also Georgiana Wife of the Above," I drew a childish conclusion that my mother was freckled and sickly. To five little stone lozenges, each about a foot and a half long, which were arranged in a neat row beside their grave, and were sacred to the memory of five little brothers of mine – who gave up trying to get a living exceedingly early in that universal struggle – I am indebted for a belief I religiously entertained that they had all been born on their backs with their hands in
their trousers-pockets, and had never taken them out in this state of existence.
Ours was the marsh country, down by the river, within as the river wound, twenty miles of the sea. My first most vivid and broad impression of the identity of things, seems to me to have been gained on a memorable raw afternoon towards evening. At such a time I found out for certain, that this bleak place overgrown with nettles was the churchyard; and that Philip Pirrip, late of this parish, and also Georgiana wife of the above, were dead and buried; and that Alexander, Bartholomew, Abraham, Tobias, and Roger, infant children of the aforesaid, were also dead and buried; and that the dark flat wilderness beyond the churchyard, intersected with dykes and mounds and gates, with scattered cattle feeding on it, was the marshes; and that the low leaden line beyond was the river; and that the distant savage lair from which the wind was rushing, was the sea; and that the small bundle of shivers growing afraid of it all and beginning to cry, was Pip.
"Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or I'll cut your throat!"
A fearful man, all in coarse grey, with a great iron on his leg. A man with no hat, and with broken shoes, and with an old rag tied round his head. A man who had been soaked in water, and smothered in mud, and lamed by stones, and cut by flints, and stung by nettles, and torn by briars; who limped, and shivered, and glared and growled; and whose teeth chattered in his head as he seized me by the chin.
"Oh! Don't cut my throat, sir," I pleaded in terror. "Pray don't do it, sir."
"Tell us your name!" said the man. "Quick!"
"Pip, sir."
"Once more," said the man, staring at me. "Give it mouth!"
Charles John Huffam Dickens (7 February 1812 – 9 June 1870) was an English writer and social critic. He created some of the world's most well-known fictional characters and is generally regarded as the greatest novelist of the Victorian period. During his life, his works enjoyed unprecedented popularity, and by the twentieth century he was widely seen as a literary genius by critics and scholars. His novels and short stories continue to be widely popular. Born in Portsmouth, England, he was forced to leave school to work in a factory when his father was thrown into debtors' prison. In May 1846 Angela Burdett Coutts, heir to the Coutts banking fortune, approached him about setting up a home for the redemption of fallen women of the working class. Coutts envisioned a home that would replace the punitive regimes of existing institutions with a reformative environment conducive to education and proficiency in domestic household chores. After initially resisting, Dickens eventually founded the home, named "Urania Cottage", in the Lime Grove section of Shepherds Bush, which he managed for ten years, setting the house rules, reviewing the accounts and interviewing prospective residents. Emigration and marriage were central to Dickens's agenda for the women on leaving Urania Cottage, from which it is estimated that about 100 women graduated between 1847 and 1859. On 9 June 1865, while returning from Paris with Ternan, he was involved in the Staplehurst rail crash. The first seven carriages of the train plunged off a cast iron bridge that was under repair. The only first-class carriage to remain on the track was the one in which he was travelling. He later used this experience as material for his short ghost story, "The Signal-Man", in which the central character has a premonition of his own death in a rail crash. On 8 June 1870, he suffered a stroke at his home after a full day's work on Edwin Drood. He never regained consciousness, and the next day, on 9 June, five years to the day after the Staplehurst rail crash, he died at Gad's Hill Place. Although he had little formal education, over his career he edited a weekly journal for 20 years, wrote 15 novels, five novellas and hundreds of short stories and non-fiction articles, lectured and performed extensively, was an indefatigable letter writer, and campaigned vigorously for children's rights, education, and other social reforms.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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