'Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to see - because I do not happen to be a 'Somebody' - why my diary should not be interesting.' The Diary of a Nobody (1892) created a cultural icon, an English archetype. Anxious, accident-prone, occasionally waspish, Charles Pooter has come to be seen as the epitome of English suburban life. His diary chronicles encounters with difficult tradesmen, the delights of home improvements, small parties, minor embarrassments, and problems with his troublesome son. The suburban world he inhabits is hilariously and painfully familiar in its small-mindedness and its essential decency. Both celebration and critique, The Diary of a Nobody has often been imitated, but never bettered. This edition features Weedon Grossmith's hilarious illustrations and is complemented by an enjoyable introduction discussing the book's social background and suburban fiction as a genre.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
'Pooter fits into a tradition of absurd humour that the British do so well, from Jonathan Swift through to Edward Lear and Monty Python' Time Out
Mr Charles Pooter is a respectable man. He has just moved into a very desirable home in Holloway with his dear wife Carrie, from where he commutes to his job of valued clerk at a reputable bank in the City. Unfortunately neither his friends Mr Cummings and Mr Gowing, nor the butcher or the greengrocer's boy seem to recognise Mr Pooter's innate gentility, and his disappointing son Lupin has gone and got himself involved with a most unsuitable fiancee...
George and Weedon Grossmith's comic novel, perfectly illustrated by Weedon, is a glorious, affectionate caricature of the English middle-class at the end of nineteenth century.
See also: Three Men in a Boat
"There's a universality about Pooter that touches everybody...fits into the tradition of absurd humour that the British do well, which started with Jonathan Swift and runs through Lewis Carroll and Edward Lear to Monty Python" (Jasper Fforde Time Out)
"The funniest book in the world" (Evelyn Waugh)
"Pooter himself is as gentle as you could wish, a wonderful character, genuinely lovable. The book is beautifully constructed" (Andrew Davies Glasgow Herald)
"One of those rare books that nails a cultural archetype and has won the affection of successive generations" (The Times)
"The funniest book about a certain type of Englishness...there is a whole line of these comic characters like Captain Mainwaring in Dad's Army, or Basil Fawlty" (Hugh Bonneville The Times)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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