The Return of the Native - Couverture souple

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Couverture souple

ISBN 10 : 0192834061 ISBN 13 : 9780192834065

Editeur : Oxford Paperbacks, 1998

Synopsis

The passionate Eustacia Vye feels herself imprisoned in the wild, isolated Egdon Heath ("`Tis my cross...and will be my death"), and although she longs for a love that will free her from it, her marriage only serves to trap her deeper within it. Her husband, Clem Yeobright, is the native of the novel's title, returned from Paris with a scheme for educating the heath-folk. Though Hardy's story is one of fatally tangled relationships, the greatest effect upon the reader is made by Egdon Heath itself: "The storm was its lover, and the wind its friend". This edition, retains the text of the novel's first edition, without the later changes that substantially altered Hardy's original intentions. It is therefore possible for modern readers to share the experience of those who read the story when it appeared in 1878.

A propos du livre

Extrait

A SATURDAY afternoon in November was approaching the time of twilight, and the vast tract of unenclosed wild known as Egdon Heath embrowned itself moment by moment. Overhead the hollow stretch of whitish cloud shutting out the sky was as a tent which had the whole heath for its floor.

The heaven being spread with this pallid screen and the earth with the darkest vegetation, their meeting-line at the horizon was clearly marked. In such contrast the heath wore the appearance of an instalment of night which had taken up its place before its astronomical hour was come: darkness had to a great extent arrived hereon, while day stood distinct in the sky. Looking upwards, a furze-cutter would have been inclined to continue work; looking down, he would have decided to finish his faggot and go home. The distant rims of the world and of the firmament seemed to be a division in time no less than a division in matter. The face of the heath by its mere complexion added half an hour to evening; it could in like manner retard the dawn, sadden noon, anticipate the frowning of storms scarcely generated, and intensify the opacity of a moonless midnight to a cause of shaking dread.

In fact, precisely at this transitional point of its nightly roll into darkness the great and particular glory of the Egdon waste began, and nobody could be said to understand the heath who had not been there at such a time. It could best be felt when it could not clearly be seen, its complete effect and explanation lying in this and the succeeding hours before the next dawn: then, and only then, did it tell its true tale. The spot was, indeed, a near relation of night, and when night showed itself an apparent tendency to gravitate together could be perceived in its shades and the scene. The sombre stretch of rounds and hollows seemed to rise and meet the evening gloom in pure sympathy, the heath exhaling darkness as rapidly as the heavens precipitated it. And so the obscurity in the air and the obscurity in the land closed together in a black fraternization towards which each advanced half-way.

The place became full of a watchful intentness now; for when other things sank brooding to sleep the heath appeared slowly to awake and listen. Every night its Titanic form seemed to await something; but it had waited thus, unmoved, during so many centuries, through the crises of so many things, that it could only be imagined to await one last crisis—the final overthrow.

Biographie de l'auteur

THOMAS HARDY, whose writings immortalized the Wessex countryside and dramatized his sense of the inevitable tragedy of life, was born near Egdon Heath in Dorset in 1840, the eldest child of a prosperous stonemason. As a youth he trained as an architect and in 1862 obtained a post in London. During this time he began seriously to write poetry, which remained his first literary love and his last. In 1867-68, his first novel was refused publication, but Under the Greenwood Tree (1872), his first Wessex novel, did well enough to convince him to continue writing. In 1874, Far from the Madding Crowd, published serially and anonymously in the Cornhill Magazine, became a great success. Hardy married Emma Gifford in 1874, and in 1875 they settled at Max Gate in Dorchester, where he lived the rest of his life. There he wrote The Return of the Native (1878), The Mayor of Casterbridge (1886), Tess of the d’Urbervilles (1891), and Jude the Obscure (1895). With Tess, Hardy clashed with the expectations of his audience; a storm of abuse broke over the “infidelity” and “obscenity” of this great novel he had subtitled “A Pure Woman Faithfully Presented.” Jude the Obscure aroused even greater indignation and was denounced as pornography. Hardy’s disgust at the reaction to Jude led him to announce in 1896 that he would never write fiction again. He published Wessex Poems in 1898, Poems of the Past and Present in 1901, and from 1903 to 1908, The Dynasts, a huge drama in which Hardy’s conception of the Immanent Will, implicit in the tragic novels, is most clearly stated. In 1912, Hardy’s wife, Emma, died. The marriage was childless and had long been a troubled one, but in the years after her death, Hardy memorialized her in several poems. At seventy-four, he married his longtime secretary, Florence Dugdale, herself a writer of children’s books and articles, with whom he lived happily until his death in 1928. His heart was buried in the Wessex countryside; his ashes were placed next to Charles Dickens’s in the Poet’s Corner of Westminster Abbey.

Détails de l'édition

• Éditeur: Oxford Paperbacks
• Date d'édition: 1998
• Langue: anglais
• ISBN 10: 0192834061
• ISBN 13: 9780192834065
• Reliure: Broché
• Nombre de pages: 512
• Coordonnées du fabricant: non disponible
• Personne responsable: Ufficio Anagrafiche Messaggerie; ufficio.anagrafiche@meli.it; ; Via Verdi, 8; Assago Milano; 20090; Italie