Book by Cooke Deryck
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This important and controversial book has come to be regarded as a modern classic. Originally published in 1959, it has exerted a profound influence on all subsequent discussion in the field of musical aesthetics. The author's thesis is that the main characteristic of music is to express and evoke emotion, and that all composers whose music has a tonal basis have used the same, or closely similar, melodic phrases, harmonies, and rhythms to express and evoke the same emotions. He supports this view with numerous musical examples, varying from plainsong to Stravinsky. Based on this evidence he argues that music is a language in the quite specific sense that idioms can be identified and a list of meanings compiled. While acknowledging that a 'dictionary' of the language of music cannot easily be provided, he attempts to supply what could at least be regarded as a 'phrase book'. The enlightening analysis of two complete symphonies by Mozart and Vaughan Williams demonstrates the expressive function of musical form, the latter being an element which the author considers inseparable from musical content.
One of the most important publications of post-war English musicography...its honesty, its individualism, and its empiricism reflect the best intellectual traditions of English literature. (Music and Letters)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration. N° de réf. du vendeur GOR004103716
Quantité disponible : 1 disponible(s)
Vendeur : SustainableBooks.com, Amherst, NY, Etats-Unis
Etat : Fair. Book is in Used-Acceptable condition. Used items may not include supplementary materials such as CDs or access codes. Pages and cover may have wear, tears, and stickers. Pages are may contain notes and highlighting. N° de réf. du vendeur 0192840045-2-5
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G0192840045I3N00
Quantité disponible : 1 disponible(s)
Vendeur : Cragsmoor Books, Cragsmoor, NY, Etats-Unis
Soft cover. Etat : Very Good. Trade paperback. Stiff wrapps., blue w. white, black lettering and white illus. to cover, white, black lettering to backstr. Light shelfwear to edges. Notation. Ixv, 289pp. incl. indices. Paper edges toned, o.w. nice copy. N° de réf. du vendeur ABE-1722781677238
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,350grams, ISBN:0192840045. N° de réf. du vendeur 8859753
Quantité disponible : 1 disponible(s)
Vendeur : Book Booth, Berea, OH, Etats-Unis
Paperback. Etat : Good. Prior owners names written on first page, else pages clean; binding tight; heavy wear to covers. 289 pages. "This original and fundamental study explores in detail just how and why music both expresses and evokes emotion." Size: 5" x 7.5". N° de réf. du vendeur S246-055891
Quantité disponible : 1 disponible(s)