Beethoven's "Thirty-Three Variations on a Waltz by Diabelli", his longest, most complex piece for piano, stands beside the "Ninth Symphony", the "Missa Solemnis", and the late quartets as one of the monumental achievements of his last period. William Kinderman's study of the compositional origins is the first extended study of the sketches. In contrast to earlier views of its chronology, he shows that it was begun in 1819, then put aside, to be resumed in 1822-23. By exploring the sketches in the context of Beethoven's other works of this time, the books shows how he transforms, parodies, and ultimately transcends Diabelli's commonplace waltz in a fascinating series of historical allusions to other composers in the final variations. The author's investigation sheds light on Beethoven's working methods, on the structure of the finished work, and ultimately on the nature of the creative process itself.
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The Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethoven's most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kinderman's study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 1822-3. Kinderman also provides an analytical discussion of the complete work, and he demonstrates how insights derived from a close study of the sketches can illuminate Beethoven's compositional ideas and attitudes and contribute substantially to a better understanding of this massive and complex set of variations. The book includes complete transcriptions of the two central documents in the genesis of the Diabelli variations - the reconstructed Wittgenstein Sketchbook and the Paris - Landsberg - Montauban Draft.
William Kinderman is Professor of Music at the University of Illinois at Urbana-Champaign. His books include Beethoven (OUP, 1995), Ataria 195: Beethoven's Sketchbook for the Missa solemnis and the Piano Sonata in E Major, Opus 109, and Mozart's Piano Music (OUP, 2006), and he has written or edited numerous works on many other composers and pieces. An outstanding pianist, Kinderman has recorded Beethoven's Diabelli Variations and the last sonatas for Hyperion / Helios records; his acclaimed studio recording of the Diabelli Variations has recently been reissued together with a live lecture recital as a double CD on Arietta Records.
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Vendeur : Redux Books, Grand Rapids, MI, Etats-Unis
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Vendeur : Imperial Books and Collectibles, Wauwatosa, WI, Etats-Unis
hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Very Good blue cloth boards with gilt lettering along spine. Binding and hinges tight and square; Contents clean and unmarked. VG dust jacket not price clipped; light rubbing along edges. 220 pp. Includes index. N° de réf. du vendeur 043136
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Navy cloth boards with gilt spine lettering; dark green dj with white lettering, mylar cover; xx, 220 pp; bw illustrations, music. Contents: pt. I. The process of composition. The interrupted genesis of the Variations ; The early sketches (1819) ; The late sketches (1822-3) -- pt. II. The compositional style. The late compositional style ; The importance of parody ; Beethoven's treatment of the theme ; The opening variations ; The middle variations ; Consolidation and transfiguration -- pt. III. Transcriptions of the sketches. Preface ; Transcriptions. Includes bibliographical references (pages 216-218) and index. VG-/VG- (Ex-library with stamps and labels on spine, inside front and rear covers, ffep and block.). N° de réf. du vendeur 185826
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Vendeur : Walden Books, London, Royaume-Uni
Hardback. Etat : Very Good-. Etat de la jaquette : Very Good. Dust jacket is lightly shelf-marked, upper panel creased, upper and lower spine bumped, unprice clipped; boards are clean, gilt titling bright, corners sharp, upper and lower spine bumped; binding is tight; pages are unmarked aside from the previous owner's ink signature on front endpaper alongside name sticker, heavy off-setting on p220. ; Studies In Musical Genesis & Structure; 6.25 X 0.75 X 9.5 inches; 220 pages. N° de réf. du vendeur 59301
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Vendeur : ROBIN SUMMERS BOOKS LTD, Aldeburgh, Royaume-Uni
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