Recueil pour Piano ou Clavier publié sous la référence OUP9780193214712 par Oxford University Press. The first in a set of tutorials that introduce and cover the Baroque techniques of figured harmony. Beginning with root-position chords, this step-by-step guide gradually introduces inversions, re-harmonisations, passing tones and ornamentation. The short-hand figures are fully explained, with specific reference to stylistic authenticity. Learn the most appropriate shapes, how they move, and how to apply them by sight in a manner true to the legacy of the Baroque composers.
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Reginald Owen Morris was a British composer and teacher. He was born in York and was educated at Harrow School, New College, Oxford and the Royal College of Music in London, where he subsequently became professor of counterpoint and composition. Morris was considered a brilliant teacher of counterpoint, and wrote a number of influential texts on the subject.
Students of Morris included composers Gerald Finzi, Sir Michael Tippett, Constant Lambert, Robin Milford, Anthony Milner, Edmund Rubbra, Bernard Stevens and Jean Coulthard.
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Etat : like new. top corner of cover with owner's name was cut off , a few pages have underlining in pencil.This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it. N° de réf. du vendeur 3941
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Vendeur : Elena, WINNIPEG, MB, Canada
Etat : New. This book presents figured harmony as a form of aural training. It seeks to make the student more keenly aware of chord-relationships as actual sound. It will increase the student's power to form an inward realization of what a page of music is going to sound like without having actually heard it. N° de réf. du vendeur 4053
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