Despite having been composed in the years 1938-43 when Europe was ravaged by war, this work radiates peace and serenity. It marks the peak of the lyrical modalism of works such as the Fantasia on a Theme by Thomas Tallis (1910), Flos Campi (1925), and Job (1931). Although it is not a programme symphony, it draws heavily on John Bunyan's The Pilgrim's Progress for inspiration, featuring several themes that were sketched for (and eventually used in) Vaughan Williams's 1951 opera. In addition, Bunyan's words 'He hath given me rest by his sorrow and life by his death' were originally inscribed over the third movement. This idea of strength drawn from religion must have been especially potent when Vaughan Williams conducted the premiere of the work at the Proms in 1943, during the dark days of the Second World War. The ending in particular has a sense of rising above all worldly concerns into a higher spiritual plane. This edition contains an introduction by Michael Kennedy and textual notes. Orchestral parts are available on hire.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vaughan Williams has come to be regarded as one of the finest British composers of the 20th century. He has a particularly wide-ranging catalogue of works, including choral works, symphonies, concerti, and opera. His searching and visionary imagination, combined with a flexibility in writing for all levels of music-making, has meant that his music is as popular today as it ever has been.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Charles Warren Rare & Antiquarian Music, London, Royaume-Uni
Hardcover. Etat : Very Good. First impression of this edition. Folio (31.5 x 23.5cm). xii,112 pp. Cloth with gilt titles, a few dusty marks to both covers, and slight yellowing to page margins internally, else very good condition. From the collection of conductor David Lloyd-Jones (1934-2022), and with several items relating to the genesis of this edition. (1): a signed letter from Peter Horton to Julian Holloway at Oxford University Press dated 16 March 1998, relating to issues in the then-current edition of the symphony; (2): an accompanying list of the most significant differences between the published score and the autograph in the RCM library; (3): an OUP order form dated 1955, requesting two full scores of the symphony, and with a list of corrections written on the opposite side, in an unknown hand. Also enclosed is a photocopy of Oliver Neighbour's review of the 2008 edition. A printed copy of the score with the composer's manuscript annotations was sold at Sotheby's in December 2008, lot 120. N° de réf. du vendeur 000313
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