" I like work. I find it interesting... I can sit and look at it for hours. " With ideas like this, perhaps it is not a good idea to spend a holiday taking a boat trip up the River Thames. But this is what the three friends - and Montmorency the dog - decide to do. It is the sort of holiday that is fun to remember afterwards, but not so much fun to wake up to early on a cold, wet morning. This famous book has made people laugh all over the world for a hundred years... and they are still laughing.
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THREE MEN IN A BOAT (TO SAY NOTHING OF THE DOG)
By Jerome K. Jerome
Preface
The chief beauty of this book lies not so much in its literary style, or in the extent and usefulness of the information it conveys, as in its simple truthfulness. Its pages form the record of events that really happened. All that has been done is to colour them; and, for this, no extra charge has been made. George and Harris and Montmorency are not poetic ideals, but things of flesh and blood — especially George, who weighs about twelve stone. Other works may excel this in depth of thought and knowledge of human nature: other books may rival it in originality and size; but, for hopeless and incurable veracity, nothing yet discovered can surpass it. This, more than all its other charms, will, it is felt, make the volume precious in the eye of the earnest reader; and will lend additional weight to the lesson that the story teaches.
Chapter 1 Excerpt
THERE were four of us — George, and William Samuel Harris, and myself, and Montmorency. We were sitting in my room, smoking, and talking about how bad we were — bad from a medical point of view I mean, of course.
We were all feeling seedy, and we were getting quite nervous about it. Harris said he felt such extraordinary fits of giddiness come over him at times, that he hardly knew what he was doing; and then George said that he had fits of giddiness too, and hardly knew what he was doing. With me, it was my liver that was out of order. I knew it was my liver that was out of order, because I had just been reading a patent liver-pill circular, in which were detailed the various symptoms by which a man could tell when his liver was out of order. I had them all.
It is a most extraordinary thing, but I never read a patent medicine advertisement without being impelled to the conclusion that I am suffering from the particular disease therein dealt with in its most virulent form. The diagnosis seems in every case to correspond exactly with all the sensations that I have ever felt.
I remember going to the British Museum one day to read up the treatment for some slight ailment of which I had a touch — hay fever, I fancy it was. I got down the book, and read all I came to read; and then, in an unthinking moment, I idly turned the leaves, and began to indolently study diseases, generally. I forget which was the first distemper I plunged into — some fearful, devastating scourge, I know — and, before I had glanced half down the list of “premonitory symptoms,” it was borne in upon me that I had fairly got it. . .
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Windham Press is committed to bringing the lost cultural heritage of ages past into the 21st century through high-quality reproductions of original, classic printed works at affordable prices.
This book has been carefully crafted to utilize the original images of antique books rather than error-prone OCR text. This also preserves the work of the original typesetters of these classics, unknown craftsmen who laid out the text, often by hand, of each and every page you will read. Their subtle art involving judgment and interaction with the text is in many ways superior and more human than the mechanical methods utilized today, and gave each book a unique, hand-crafted feel in its text that connected the reader organically to the art of bindery and book-making.
We think these benefits are worth the occasional imperfection resulting from the age of these books at the time of scanning, and their vintage feel provides a connection to the past that goes beyond the mere words of the text.
Jerome Klapka Jerome (1859 – 1927), was born in Walsall and moved to London with his family when he was still a young boy. His unusual middle name was from a Hungarian friend of his father. Jerome left school at fourteen, after his the death of his mother. This was not unusual in those days in poor families and Jerome’s family was certainly poor. Jerome started work as a railway clerk but had an artistic nature and soon spent time acting with various theatre companies – as well as reading in the British Museum library. His stage experiences led to his first book On the Stage – and Off and to his determination to make a living as a writer. Three Men in a Boat, published in 1889, brought him success and worldwide fame. The critics didn’t like Jerome’s humour and easy-going style but the public did. The book was a huge bestseller on both sides of the Atlantic. Sales of the American edition reached a million copies, even though it was being sold there illegally! The qualities the critics disliked have now made the book a timeless classic. Three Men in a Boat is a fictional, and hugely exaggerated, version of an actual boat trip up the River Thames that Jerome took with two friends. After this book’s success Jerome worked as a novelist, playwright and editor. He made lecture tours, especially in the USA and caused a scandal by publicly criticising the racism in the Southern States. Three Men in a Boat was his only best-seller. It was so popular in Germany that clubs were started for people to make their own boating trips in the style of the trip taken by Jerome and his friends.
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