Articles liés à Concepts in Film Theory
Synopsis
This book is designed for anyone with a serious interest in the art of film. It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew sets out these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories. The final section deals with contemporary French film theory which is still in the process of developing. Andrew locates these film theories in the context of larger intellectual movements, including Gestalt Psychology, Russian Formalism, Neo-Kantianism, and Existentialism. The final chapters show that the most modern French theories are actively contributing to today's dominant intellectual movements, semiotics, and phenomenology, while deriving directly from classical film theory.
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Présentation de l'éditeur
This book is designed for anyone with a serious interest in the art of film. It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew sets out these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories. The final section deals with contemporary French film theory which is still in the process of developing. Andrew locates these film theories in the context of larger intellectual movements, including Gestalt Psychology, Russian Formalism, Neo-Kantianism, and Existentialism. The final chapters show that the most modern French theories are actively contributing to today's dominant intellectual movements, semiotics, and phenomenology, while deriving directly from classical film theory.
Revue de presse
`The bracing thing about Andrew's guidebook is that it is virtually the first in English to cover a relatively broad range...And the likeable thing about this conscientious study is that...it endeavours to establish terms for a disciplined but supple discussion where agreements and disagreements alike can be rationally formulated.' Sight and Sound
`The evolution of cinema art has been the subject of much speculative comment that is expertly appraised by Andrew.' American Cinematographer
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Concepts in Film Theory (Galaxy Books)
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Concepts in Film Theory (Galaxy Books)
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Paperback. Etat : Very Good. Concepts in Film Theory (Galaxy Books) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9780195034288
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Concepts in Film Theory (Galaxy Books)
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Oxford University Press Inc, United States, New York, 1984
ISBN 10 : 0195034287
ISBN 13 : 9780195034288
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Paperback. Etat : Very Good. This book is designed for anyone with a serious interest in the art of film. It is both a history of film theory and an introduction to the work of the most important and influential writers on the subject - Munsterberg, Arnheim, Eisenstein, Balazs, Kracauer, Bazin, Mitry, and Metz. Andrew sets out these major theorists one against the other forcing them to speak to common issues, thereby making them reveal the bases of their thought. He compares the formative tradition with that of the realist to illustrate the development of both theories. The final section deals with contemporary French film theory which is still in the process of developing. Andrew locates these film theories in the context of larger intellectual movements, including Gestalt Psychology, Russian Formalism, Neo-Kantianism, and Existentialism. The final chapters show that the most modern French theories are actively contributing to today's dominant intellectual movements, semiotics, and phenomenology, while deriving directly from classical film theory. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR001478869
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Concepts in Film Theory
Edité par
Oxford University Press, 1984
ISBN 10 : 0195034287
ISBN 13 : 9780195034288
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Concepts in Film Theory
Edité par
Oxford University Press, 1984
ISBN 10 : 0195034287
ISBN 13 : 9780195034288
Ancien ou d'occasion
Paperback
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Concepts in Film Theory
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Oxford University Press, 1984
ISBN 10 : 0195034287
ISBN 13 : 9780195034288
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Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.5. N° de réf. du vendeur G0195034287I4N00
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Concepts in Film Theory
Edité par
Oxford University Press, 1984
ISBN 10 : 0195034287
ISBN 13 : 9780195034288
Ancien ou d'occasion
Paperback
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
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Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.5. N° de réf. du vendeur G0195034287I3N00
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Concepts in Film Theory
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Concepts in Film Theory
Edité par
Oxford University Press, Incorporated, 1984
ISBN 10 : 0195034287
ISBN 13 : 9780195034288
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Couverture souple
Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
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Concepts in Film Theory (Galaxy Books)
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