Francis Dunn explores the novel gestures that close the dramas of Euripides, showing how these deny access to an authoritative reading of the plays, reinforce innovations in plot and structure, and open up tragedy to comic, parodic, and narrative impulses. The author provides the first large-scale study of closure in classical literature, and includes readings of plot, ending, and generic innovation in Hyppolytus, Trojan women, Hercules, and the late plays Helen, Orestes, and Phoenician Women.
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Francis Dunn explores the novel gestures that close the dramas of Euripides, showing how these deny access to an authoritative reading of the plays, reinforce innovations in plot and structure, and open up tragedy to comic, parodic, and narrative impulses. The author provides the first large-scale study of closure in classical literature, and includes readings of plot, ending, and generic innovation in Hyppolytus, Trojan women, Hercules, and the late plays Helen, Orestes, and Phoenician Women.
'...The author has produced a wide-ranging analysis of endings admirably augmented by much incisive observation on the body of the plays and a wealth of comparison between plays...D's book is a perceptive and illuminating study of a hitherto neglected aspect of the plays, an aspect not immediately evident as a major factor in dramatic action. As such it fulfils a definite need.' (Stanley ireland, Univ. Warwick , The Classical Review)
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Vendeur : Zed Books, New York, NY, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. First printing. 8vo. 252 pp. Green cloth. Fine in Fine dust jacket. N° de réf. du vendeur x08905
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Vendeur : SKULIMA Wiss. Versandbuchhandlung, Westhofen, Allemagne
Etat : Wie Neu. Zustandsbeschreibung: textsauberes Exemplar mit leichten Gebrauchsspuren, leicht berieben/clean text pages, minor traces of use, slightly rubbed. Closure and Innovation in Euripidean Drama. Dunn explores the novel gestures that close the dramas of Euripides, showing how these deny access to an authoritative reading of the plays, reinforce innovations in plot and structure, and open up tragedy to comic, parodic, and narrative impulses. The author provides a large-scale study of closure in classical literature, and includes readings of plot, ending, and generic innovation in 'Hyppolytus', 'Trojan women', 'Hercules', and the late plays 'Helen', 'Orestes', and 'Phoenician Women'. IX,252 Seiten, gebunden (Oxford University Press 1996). Statt EUR 149,50. Gewicht: 588 g - Gebunden/Gebundene Ausgabe. N° de réf. du vendeur 701551
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Tragedy's End argues that artificial endings in Euripides reinforce innovations in plot and ending. After exploring the playwright's novel closing gestures, the book offers readings of plot, ending, and generic innovation in six of Euripides' plays. Num Pages: 264 pages, bibliography. BIC Classification: 2AHA; DSBB; DSG. Category: (P) Professional & Vocational. Dimension: 243 x 162 x 20. Weight in Grams: 586. . 1996. hardcover. . . . . N° de réf. du vendeur V9780195083446
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