Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder. Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture, temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody and motive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directing the book towards students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analysing, designed to give the reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the volume features numerous poetic texts, as well as a core repertory of songs. Examples throughout the text demonstrate points, while end-of-chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song.
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Libby Larsen (b. 24 December 1950, Wilmington, Delaware) is one of America's most prolific and most performed living composers. Her catalogue of over 200 works spans virtually every genre from intimate vocal and chamber music to massive orchestral and choral scores. Her music has been praised for its dynamic, deeply inspired, and vigorous contemporary American spirit. Constantly sought after for commissions and premieres by major artists and orchestras around the world, Libby Larsen has established a permanent place for her works in the concert repertory.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : As New. Etat de la jaquette : Fine. 1st Edition. ** 1ST EDITION, 1ST PRINTING, 1996 ** AS NEW HARDCOVER ** FINE DUSTJACKET ** CLEAN, STAIN-FREE, UNMARKED ** NOT A LIBRARY BOOK ** Published by Oxford University Press, 1996, with 413 + xvii pages. Very well-made book, bond in heavy-duty cloth-covered boards with bright embossed gilt lettering on the spine. Book is essentially flawless, looks like new. Dustjacket shows only very occasional, extremely brief, quite minor signs of any use, but has no actual defects to note. Book is exceptionally clean and stain-free, square and straight, quite firm and tight in its binding, no pages are loose, missing, folded, or torn. The hinges are sound and undamaged, the corners are sharp and unbumped. All pages are clean and stain-free, bright and white, and all text is sharp and legible. There is no writing, underlining, highlighting, or other such markings in the book. Dustjacket is clean and stain-free, complete and intact, no tears, no pieces missing. Professional booksellers for 35 years, selling online since 1995. SB13. N° de réf. du vendeur 018563
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Hardcover. Etat : new. Hardcover. Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . Part I, "The Language of Poetry," provides chapters on the themes and imagery of German Romanticism and the methods of analysis for German Romantic poetry. Part II, "The Language of the Performer," deals with issues of concern to performers: texture,temporality, articulation, and interpretation of notation and unusual rhythm accents and stresses. Part III provides clearly defined analytical procedures for each of four main chapters on harmony and tonality, melody andmotive, rhythm and meter, and form. The concluding chapter compares different settings of the same text, and the volume ends with several appendices that offer text translations, over 40 pages of less accessible song scores, a glossary of technical terms, and a substantial bibliography. Directed toward students in both voice and theory, and toward all singers, the authors establish a framework for the analysis of song based on a process of performing, listening, and analyzing, designed to givethe reader a new understanding of the reciprocal interaction between performance and analysis. Emphasizing the masterworks, the book features numerous poetic texts, as well as a core repertory ofsongs. Examples throughout the text demonstrate points, while end of chapter questions reinforce concepts and provide opportunities for directed analysis. While there are a variety of books on Lieder and on German Romantic poetry, none combines performance, musical analysis, textual analysis, and the interrelation between poetry and music in the systematic, thorough way of Poetry Into Song. Focusing on the music of the great song composers--Schubert, Schumann, Brahms, Wolf, and Strauss--Poetry Into Song offers a systematic introduction to the performance and analysis of Lieder . This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780195093285
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