This work introduces a theory of form for the analysis of instrumental music of the classical style. Focusing on formal function - the role a formal unit plays in the structural organization of a work - the theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form - from the individual ideas making up various phrases of themes, to the large-scale organization of complete movements. The book includes a detailed discussion of standard theme types, more extensive formal regions, and full-movement forms. The theoretical concepts are illustrated by over 250 annotated musical examples by Haydn, Mozart and Beethoven. The book is intended for music theorists and musicologists, and as a supplementary text or reference for upper-level undergraduate and graduate courses on form and analysis and the history of classical style.
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Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
This ambitious book offers nothing less than a new theory of form for the music of the Classical period ... In its combination of scholarship, musicality and sheer common sense, Caplan's Classical Form is a major achievement by any standards ... it should be read by anybody who teaches, studies or writes about this music. (Music and Letters)
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