In Opera: A History in Documents, Piero Weiss presents a wide-ranging, vivid, and carefully researched tour of operatic history. A unique anthology of primary source material, this survey includes 115 chronologically organized selections--passages from private letters, public decrees, descriptions of first performances, portions of libretti, literary criticism and satire, newspaper reviews and articles, and poetry and fiction--from opera's late Renaissance infancy through modern times. This first-hand testimony allows students to experience the history of opera as eyewitnesses, offering an immediacy and validity unmatched by standard histories. Readers are transported to a Medici wedding in sixteenth-century Florence, to the Haymarket Theatre for a performance of Handel's Rinaldo, to Mozart at work on Die Entführung aus dem Serail, and to Bertolt Brecht's writing desk, among many other landmarks in opera's history. Weiss expertly guides students, providing highly accessible headnotes to each selection that both contextualize the excerpts and position them within the broader historical narrative. In addition, he offers original translations of more than half of the selections in the book, many of which appear here in English for the first time. Stage settings, costumes, portraits, contemporary playbills, and other illustrations enliven the text and help to recreate the feel of the era under discussion. Opera: A History in Documents is an intrinsically lively text that will enrich college courses on opera and delight any music-loving reader.
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... a most coherent, elegant, and perceptive survey of four centuries of operatic debate. This volume is a priceless addition to the literature, and the pages of my copy are already dog-eared from constant use. (Music and Letters)
Opera: A History in Documents comes as treasure trove to the fan ... crisp, informative intros to each entry ... The extracts relating to theatres and performance are fascinating ... no true lover of opera can afford to be without this invaluable collection. (Opera Now)
Weiss's book is a Jack Horner's pie full of plums, familiar and unfamiliar, many of them freshly and elegantly translated by Weiss himself ... a valuable and enjoyable book. (Opera)
Weiss is head of the musicology department at John Hopkins, and the anthology that he has compiled makes up a history of opera that is learned, quirky, disjointed, spiced with the unexpected and the diversionary, and sometimes very funny; everything, in fact, that such a collection should be. (Opera)
Excellent compilation ... a rich offering ... for students and intelligent opera lovers, the material on the operas selected will rapidly become indispensable (BBC Music Magazine)
Opera: A History in Documents collects over one hundred primary-source documents for students of the history of opera. The varied selections - which include letters, excerpts of journals, bits of libretti, and contemporary criticism - provide eye-witness commentary on the world of opera from its late-Renaissance infancy through modern times. Each selection is introduced by an extensive headnote that both explains the document's context and positions it in the book's overall narrative.
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