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- ÉditeurOxford University Press Inc
- Date d'édition2002
- ISBN 10 0195140230
- ISBN 13 9780195140231
- ReliureRelié
- Langueanglais
- Nombre de pages376
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Conceptualizing Music : Cognitive Structure, Theory, and Analysis
Edité par
Oxford University Press, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Neuf
Couverture rigide
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Conceptualizing Music: Cognitive Structure, Theory, and Analysis (AMS Studies in Music)
Edité par
Oxford University Press, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Neuf
Couverture rigide
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
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HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9780195140231
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Conceptualizing Music: Cognitive Structure, Theory, and Analysis (AMS Studies in Music)
Edité par
Oxford University Press, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Neuf
Couverture rigide
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9780195140231
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Conceptualizing Music : Cognitive Structure, Theory, and Analysis
Edité par
Oxford University Press, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Ancien ou d'occasion
Couverture rigide
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
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Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 75208
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Conceptualizing Music: Cognitive Structure, Theory, and Analysis (AMS Studies in Music)
Edité par
Oxford University Press, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Neuf
Couverture rigide
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
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Conceptualizing Music : Cognitive Structure, Theory, and Analysis
Edité par
Oxford University Press, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Neuf
Couverture rigide
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Conceptualizing Music : Cognitive Structure, Theory, and Analysis
Edité par
Oxford University Press, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Ancien ou d'occasion
Couverture rigide
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
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Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 75208
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Conceptualizing Music: Cognitive Structure, Theory, and Analysis (AMS Studies in Music)
Edité par
Oxford University Press, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Neuf
Couverture rigide
Vendeur : BennettBooksLtd, North Las Vegas, NV, Etats-Unis
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Hardcover. Etat : New. In shrink wrap. Looks like an interesting title! N° de réf. du vendeur Q-0195140230
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Conceptualizing Music: Cognitive Structure, Theory, and Analysis
Edité par
Oxford University Press Inc, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Neuf
Couverture rigide
Vendeur : THE SAINT BOOKSTORE, Southport, Royaume-Uni
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Hardback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 701. N° de réf. du vendeur C9780195140231
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Conceptualizing Music: Cognitive Structure, Theory, and Analysis (Hardcover)
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Oxford University Press, USA, New York, 2002
ISBN 10 : 0195140230
ISBN 13 : 9780195140231
Neuf
Couverture rigide
Vendeur : AussieBookSeller, Truganina, VIC, Australie
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Hardcover. Etat : new. Hardcover. This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes--categorization, cross-domain mapping, and the use of conceptual models--and explores the part these play in theories of musical organization.The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy.The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles. This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses on three cognitive processes—categorization, cross-domain mapping, and the use of conceptual models—and explores the part these play in theories of musical organization. The first part of the book provides a detailed overview of the relevant work in cognitive science, framed around specific musical examples. The second part brings this perspective to bear on a number of issues with which music scholarship has often been occupied, including the emergence of musical syntax and its relationship to musical semiosis, the problem of musical ontology, the relationship between words and music in songs, and conceptions of musical form and musical hierarchy. The book will be of interest to music theorists, musicologists, and ethnomusicologists, as well as those with a professional or avocational interest in the application of work in cognitive science to humanistic principles. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780195140231
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