Written by a physicist with professional dance training, "Physics and the Art of Dance" explains how dancers can achieve better, safer performances through an understanding of physics in motion. Using simple, non-technical terms, Kenneth Laws combines his knowledge of both physics and dance to describe how the laws of gravity, momentum, and energy affect dancing bodies. The book explores the natural laws that govern the subtleties of balance, the techniques of leaps and pirouettes, and the impressive lifts and turns executed by ballet partners. Finally, Laws offers insight into two current discussions in the dance world - the effect of body size on ballet technique, and the relationship between science and the art of dance. Beautiful, original stop-action photographs by Martha Swope, along with clear diagrams, illustrate the concepts described in the text. Plus, an intriguing "puzzler" at the beginning of each chapter provides an engaging entry into the topics presented. For those who want a more advanced understanding of the physics, extensive appendices are provided. This new book combines the best features of Laws' widely acclaimed "The Physics of Dance and Physics, Dance", and the "Pas de Deux" by Laws and Cynthia Harvey. Its expert application of the basic principles of physics to the art of dance will be an invaluable resource for dancers and dance instructors and will open a new level of appreciation for lovers of the form. It will also appeal to physicists who seek to include the arts in their scientific pursuits.
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Physics and the Art of Dance gives all who enjoy dance - whether as dancers, students, teachers, or fans - an opportunity to understand what happens when human bodies move in the remarkable ways we call dance. How, for instance, do dancers create the illusion of defying gravity? Or of starting to spin when in the air with no source of force to act on their bodies? You may observe some dancers using their arms in a way that allows some to jump higher than others. What is that technique, and why does it work? In this second edition, author Ken Laws - a physicist with years of professional dance training - teams with veteran dance instructor Arleen Sugano to provide new step-by-step experiments for dancers. "What you see" sections describe the way physical principles form the framework within which some movements exist. The complementary "What you do" sections allow dancers to experience how those physical analyses can provide them a more efficient means of learning how to carry out those movements. Throughout, the book shows how movements are first artistic expressions, and secondly movements of the body within the framework of easy-to-understand physical principles. Dancers and dance instructors will find in this book an efficient means of improving technical proficiency and growing professional and aesthetic development. For physics and science teachers, the book provides a new and compelling way to draw people into the world of science. And observers and fans of dance will marvel over the beautiful time-stop photography by renowned dance photographers Martha Swope and Gene Schiavone.
Kenneth Laws is Professor Emeritus of Physics, Dickinson College, and author of The Physics of Dance (Schirmer, 1984), Physics, Dance, and the Pas de Deux (Schirmer, 1994), and Physics and the Art of Dance: Understanding Movement (OUP, 2002) Arleen Sugano is Independent Dance Instructor, former instructor of Dance, New York University, University of North Texas, Joffrey Ballet School, Rod Rodgers Dance Company, and Lula Washington Dance Company, amongst many others.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Destinations, frais et délaisVendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Paperback. Etat : Very Good. Unread store shelf copy with just a hint of wear to covers. Includes bibliographical references and index. Machine generated contents note: 1 Introduction z -- The Role of Physical Analysis 4 -- The Physics of Dance 7 -- The Value of Analysis to Dancers o -- The Value of Analysis to Observers -- Analysis for Teachers and Health Professionals 14 -- Communication: Words, Images, and Photographs 6 -- 2 Balance 8 -- Condition for Static Balance zo -- Regaining Balance 24 -- Balance while Rotating 2z -- A Final Look 31 -- 3 Motions without Turns 34 -- Acceleration from Rest 36 -- Motion in a Curved Path 40 -- Stopping Horizontal Motion 42 -- Vertical Jumps 43 -- Connections between Horizontal and Vertical Motions 47 -- The GrandJete "Floating" Illusion 47 -- The Effect of Turnout on Traveling Jumps 49 -- Landings from Jumps 5 -- Dance Floors: Elasticity and Friction 56 -- A Final Leap 59 -- 4 Pirouettes 62 -- Torque and Rotational Momentum in a Pirouette 66 -- Controlling Rotational Velocity 69 -- Characteristics of Pirouettes 71 -- The Arabesque Turn 72 -- The "Illusion Turn," 75 -- The Grande Piroutte 76 -- Fouette Turns 78 -- Repeated Pirouettes 8I -- A Final Turn 8z -- 5 Turns in the Air 86 -- The Demi-fouette 88 -- The TourJete (GrandJete en Tournant) 91 -- The Saut de Basque 94 -- The Turning Assemble 97 -- The Tour en l'Air 98 -- A Final Leap oo -- 6 The Pas de Deux Io2 -- The History and Appeal of the Pas de Deux 104 -- Who's Responsible for What? Io -- Physical Interactions between Partners I 1z -- Balance 113 -- Accelerating Motions 118 -- Final Poses 19 -- To the Next Step z12 -- 7 The Mechanics of Partnered Turns 124 -- Starting a Supported Pirouette 1z6 -- Balance during a Supported Pirouette 132 -- Stopping Rotation 134 -- Other Supported Turns 36 -- A Final Turn I39 -- 8 The Mechanics of Lifts 142 -- The Straight Lift 145 -- Other Front Lifts 5I -- Overhead Lifts 5 -- Other Lifts 59 -- Catches 62 -- A Final Thrust 62 -- 9 The Effects of Body Size 164 -- Height of a Vertical Jump 66 -- Entrechats 170 -- Horizontal Accelerations and Body Size 172 -- Body Size and Pirouettes 172 -- Adagio Movements 73 -- Body Size and Partnered Dance 74 -- Effects of Body Shape 175 -- A Final Comparison 175 -- 10 A Step Into the Future 178. xix, 236 p. : ill. ; 26 cm. 256 pages. Dance--Physiological aspects, Ballet dancing--Physiological aspects, Human mechanics, Biophysics. N° de réf. du vendeur 072195
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Softcover. Etat : Very Good. Second Printing. 8" x 10" Softcover; Second Printing; 236pp; Covers clean, bright & slightly curled at corners, previous owner's name to flyleaf, text unmarked, binding is tight, VG condition. Physicist with professional dance training explains how dancers can achieve better, safer performances through an understanding of physics in motion. Foreword by Francia Russell of the Pacific Northwest Ballet. Illustrated with photos & diagrams. N° de réf. du vendeur 018125
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PAPER BACK BLUE. Etat : AS NEW. photographs by Martha Swope, foreword by Francia Russell of the Pacific Northwest Ballet, tables, figures DATE PUBLISHED: 2002 EDITION: 236. N° de réf. du vendeur 046258
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