Book by Hebron Stephen
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John Keats died at an early age, leaving what have become some of the best-known English poems, such as 'Ode to a Nightingale', 'Ode to a Grecian Urn', 'Ode to Melancholy' and 'Ode to Autumn'. In this biography of Keats, Stephen Hebron traces Keats' life and development as a poet, assessing his work in the context of the contemporary social and literary scene. After leaving school, Keats gained an apprenticeship to a surgeon and went on to qualify as an apothecary. But increasingly poetry dominated as his principal interest. He began to move in poetic and artistic circles, counting among his friends and acquaintances Leigh Hunt, Benjamin Haydon, Charles Lamb and Percy Bysshe Shelley and it was not long before his poetry was published regularly. Despite admiration of him by contemporary literary figures, reviewers were not as favourable and in his lifetime the majority of his poetry met with harsh criticism. Having lost his mother and brother to tuberculosis, Keats knew the signs of the illness when he too succumbed. Sent to Italy by his doctors to recuperate, he never returned, dying in Rome aged just 26. His poetry inspired Tennyson and Browning, and the pre-Raphaelite painter ranked him on a par with Dante, Homer, Chaucer and Goethe. Today, Keats is recognised as one of the great poets of the Romantic age, confirmation of his own assertion 'I think I shall be among the English Poets after my death'.
Stephen Hebron worked for many years at The Wordsworth Trust in Cumbria, England. He is the co-author of several books and exhibition catalogues. His most recent publications are Wordsworth and Keats, both in the British Library's Writers' Lives series, and Romantics and the British Landscape (The British Library, 2006).
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Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur GRP98518407
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 3143311-6
Quantité disponible : 1 disponible(s)
Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Good. This book offers a revaluation of Keats' major poetry. It reveals how Keats' work is both an oblique criticism of the dominant attitudes to literature, sexuality, religion and politics in his period, and a powerful critique of the claims of the imagination. For all that he shares the optimistic humanism of progressives like Hazlitt, Leigh Hunt, and Shelley, Keats nevertheless questions the sufficiency of either Art or Beauty. Professor Barnard shows how the notorious attack on Keats as a Cockney poet was motivated by class and political bias. He analyses the problems facing Keats as a second-generation Romantic, his continuing difficulty in finding an appropriate style for 'Poesy', and his uncertain judgement of his own work. The ambiguities and stresses evident in the poetry's treatment of women and sexual love are seen to reflect divisions in Keats and his society. The maturing use of myth from Poems (1817) to The Fall of Hyperion, and the achievement of the major odes are set in relation to Keats' whole career. N° de réf. du vendeur 00106259381
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Good. This book offers a revaluation of Keats' major poetry. It reveals how Keats' work is both an oblique criticism of the dominant attitudes to literature, sexuality, religion and politics in his period, and a powerful critique of the claims of the imagination. For all that he shares the optimistic humanism of progressives like Hazlitt, Leigh Hunt, and Shelley, Keats nevertheless questions the sufficiency of either Art or Beauty. Professor Barnard shows how the notorious attack on Keats as a Cockney poet was motivated by class and political bias. He analyses the problems facing Keats as a second-generation Romantic, his continuing difficulty in finding an appropriate style for 'Poesy', and his uncertain judgement of his own work. The ambiguities and stresses evident in the poetry's treatment of women and sexual love are seen to reflect divisions in Keats and his society. The maturing use of myth from Poems (1817) to The Fall of Hyperion, and the achievement of the major odes are set in relation to Keats' whole career. N° de réf. du vendeur CIN019521787XG
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Vendeur : Southampton Books, Sag Harbor, NY, Etats-Unis
Hardcover. Etat : Like New. First Edition. First Edition, First Printing. Published by Oxford University Press, 2002. Quarto. Hardcover. Book is like new. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York. N° de réf. du vendeur 309679
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