This book engages with everyday life and popular culture in India. It seeks to subject the popular media to the sociologist's critical gaze, probing for insights and reflections on the relations of the sexes and the dynamics of family life in contemporary India.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This volume of seven essays on themes of family and gender in Indian popular culture seeks to commend popular culture as an important resource for sociological insights into contemporary social issues and processes. Drawing its material from three popular media - 'calendar art' (popular chromolithography), commercial 'Bollywood' cinema, and magazine romance fiction-the essays bring a gender-sensitive perspective to bear on the representation of the family, of childhood, of courtship and conjugality, of arranged and love marriage, of femininity and masculinity, and of sexuality within and outside marriage, as well as on the wider dilemmas and dynamics of Indian modernity and nation-building. While much has been written on the figure of the woman as icon of the national society and on the Hindu pantheon as a template for visualizing gender roles and relationships, the author also takes up here the iconicization of the child and the family in the national imaginary, illustrating her arguments with stunning visuals from her personal collection of Indian calendar art. Freedom and Destiny explores the contradictions in the moral economy of Indian family life as these are projected in the contemporary popular media. Particularly salient is the tension between the expression of female desire and culturally normative expectations of feminine deportment. But the book also addresses the insistent challenges of modernity in the domain of private life whereby, for men and women alike, the ideals of individual autonomy and freedom of choice and action are seen to be constrained by a social ethic that privileges the value structure of the joint family over the individual needs and desires of its members and the lure of romance. Written over the last dozen years since the institutionalization of policies of economic liberalization in the early 1990s, and revised in the present context, some of these pioneering essays have now become classics in their own right. By bringing them together, the author underlines their essential thematic unity across several distinct genres of popular culture. The effort has been to achieve accessibility and to avoid sociological jargon, without sacrificing either disciplinary rigor or, for that matter, the underlying feminist standpoint.
Patricia Uberoi is Honorary Fellow and Director, Institute of Chinese Studies, Centre for the Study of Developing Societies, Delhi. She is also Professor in Social Change and Development at the Institute of Economic Growth, Delhi.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Klondyke, Almere, Pays-Bas
Etat : Good. Original pictorial boards in matching dust jacket, some illustrations (including photographs) in colour and b/w, 8vo.; Edges dust jacket slightly worn. N° de réf. du vendeur 388278-UH17
Quantité disponible : 1 disponible(s)
Vendeur : BIBLIOPE by Calvello Books, Oakland, CA, Etats-Unis
Hardcover. Etat : Near Fine(+). Octavo in duotone green jacket illus un color (front); xix, 309 pages: chiefly color illustrations; 23 cm; bibliographical references (pages 264-299) and index. "This volume of seven essays on themes of family and gender in Indian popular culture seeks to commend popular culture as an important resource for sociological insights into contemporary social issues and processes. Drawing its material from three popular media - 'calendar art' (popular chromolithography), commercial 'Bollywood' cinema, and magazine romance fiction - the essays bring a gender-sensitive perspective to bear on the representation of the family, of childhood, of courtship and conjugality, of arranged and love marriage, of femininity and masculinity, and of sexuality within and outside marriage, as well as on the wider dilemmas and dynamics of Indian modernity and nation-building."--BOOK JACKET. Contents: 1. 'Beautyfull wife, denger life': engaging with popular culture -- A moving message -- 'Beautyfull wife, denger life' -- Reading popular culture -- The concept of popular culture -- The semiotics of popular culture -- Imagining the nation -- Gender and genre -- Visual culture and the controlling 'gaze' -- Reading the romance -- Gender and resistance -- Rethinking the family -- The kinship map of India -- The Indian joint family -- Arranged marriage -- Dowry and brideprice -- The limits of family change -- The moral economy of the Indian Family -- Dharma and desire, freedom, and destiny -- 2. Feminine identity and national ethos in calendar art -- Woman/goddess/nation: a contemporary controversy -- Defining calendar art -- Ravi Varma and the invention of calendar art -- Deciphering the archive: gender and calendar art -- Objects of desire/commodities on sale -- Icons of nation -- Plurality and difference -- Trajectories of change? -- 3. 'Baby' icons: forms and figures of a new generation -- Introduction -- Envisioning childhood -- South Asian childhoods -- Child socialization as pathology -- Childhood between tradition and modernity -- Cosmologies of childhood -- Representing the child -- God-baby -- Welcome-baby -- Citizen-baby -- Hero-baby -- Customized-baby -- 4. Desire and destiny: rescripting the man-woman relationship in popular cinema -- Prologue: on a personal note -- The body language of popular cinema -- The problematics of romance -- Dharma and desire -- Freedom and destiny -- A paradigm of desire -- Jabba and Bhoothnath -- Chhote Sarkar and the courtesan -- Chhoti Bahu and Chhote Sarkar Bhoothnath and Chhoti Bahu -- Happy and unhappy endings -- 5. Imagining the family: an ethnography of viewing Hum Aapke Hain Koun .! -- What makes a 'clean' movie? -- The lack of 'vulgarity' -- The display of affluence -- The spirit of 'sacrifice' -- The family as 'tradition' -- The constitution of the ideal Indian family -- The ideal of the joint family -- Affinity as a value -- The truth-telling voice -- The pleasures of viewing: voyeurism, narcissism, and a happy ending -- The emblematic family -- 6. The diaspora comes home: discipling desire in DDLJ -- Prologue -- Indianness: at home and abroad -- Dilwale Dulhania Le Jayenge -- Romance, Indian style -- The tyranny of 'tradition' -- Pardes: reinstituting the contradiction of India and the West -- 'American dreams, Indian soul' -- Indian dream, transnational location -- 7. Learning to 'adjust': the dynamics of post-marital romance -- Domesticating romance fiction -- Woman's era -- Twenty tales of true romance -- Tales of courtship -- Tales of conjugal love -- Sources of marital tension -- Mediation -- Resolution -- True-life tales of marital breakdown -- Prescription for a happy marriage -- Conclusion -- 8. Scripting romance? Tribulations of courtship in popular fiction -- Introduction: constructing the problematic -- Narrative trajectories -- Making 'love' respectable -- Putting 'love' into arranged marriage -- Conclusion. / Women in popular culture -- India. Women -- India -- Social conditions. Families --. N° de réf. du vendeur 93067
Quantité disponible : 1 disponible(s)