A Renaissance Reclaimed brings together an international team of historians of scholarship, politics, religion, literature, and ideas, whose expertise straddles the Renaissance and nineteenth century, to evaluate the achievement and legacy of the most famous work by the Swiss 'father of cultural history' Jacob Burckhardt (1818-97): The Civilisation of the Renaissance in Italy (1860). The capaciousness of Burckhardt's vision, which embraced fashion, false teeth, and hair extensions as well as the 'State as a work of art', development of the individual, revival of antiquity, discovery of the world and of man, society and festivals, and morality and religion, has never been equalled. Insights in this volume are made possible by the new critical edition that only serves to emphasise how artful Burckhardt's reading of primary (pre-eminently literary rather than art-historical) sources was. It also shows how Burckhardt's ambivalence towards the Renaissance reflected his deep anxieties about the social and political corollaries of modernisation.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Stefan Bauer is a lecturer in early modern world history at King's College London. He is a fellow and council member of the Royal Historical Society and has taught at the universities of York, Warwick and Royal Holloway as well as in Switzerland and Italy.
Simon Ditchfield is professor of early modern history at the University of York, where he has taught for over thirty years. His research interests encompass religious history and the history of history writing. He is a fellow of the Royal Historical Society and a member of the Accademia Ambrosiana, Milan.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. A Renaissance Reclaimed brings together an international team of historians of scholarship, politics, religion, literature, and ideas, whose expertise straddles the Renaissance and nineteenth century, to evaluate the achievement and legacy of the most famous work by the Swiss 'father of cultural history' Jacob Burckhardt (1818-97): The Civilisation of the Renaissance in Italy (1860). The capaciousness of Burckhardt's vision, which embraced fashion,false teeth, and hair extensions as well as the 'State as a work of art', development of the individual, revival of antiquity, discovery of the world and of man, society and festivals, and morality and religion, hasnever been equalled. Insights in this volume are made possible by the new critical edition that only serves to emphasise how artful Burckhardt's reading of primary (pre-eminently literary rather than art-historical) sources was. It also shows how Burckhardt's ambivalence towards the Renaissance reflected his deep anxieties about the social and political corollaries of modernisation. A Renaissance Reclaimed reconsiders an 'essay' (Versuch) seen by many as the greatest work of cultural history ever written: the Civilisation of the Renaissance in Italy (1860) by the Swiss Jacob Burckhardt. The contributors also investigate the ways in which this work was also a product of its time and place. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780197267325
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Hardback. Etat : New. A Renaissance Reclaimed brings together an international team of historians of scholarship, politics, religion, literature, and ideas, whose expertise straddles the Renaissance and nineteenth century, to evaluate the achievement and legacy of the most famous work by the Swiss 'father of cultural history' Jacob Burckhardt (1818-97): The Civilisation of the Renaissance in Italy (1860). The capaciousness of Burckhardt's vision, which embraced fashion, false teeth, and hair extensions as well as the 'State as a work of art', development of the individual, revival of antiquity, discovery of the world and of man, society and festivals, and morality and religion, has never been equalled. Insights in this volume are made possible by the new critical edition that only serves to emphasise how artful Burckhardt's reading of primary (pre-eminently literary rather than art-historical) sources was. It also shows how Burckhardt's ambivalence towards the Renaissance reflected his deep anxieties about the social and political corollaries of modernisation. N° de réf. du vendeur LU-9780197267325
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