Christopher Ricks is one of the best-known living critics of English, and was described by W. H. Auden as "the kind of critic every poet dreams of finding." Though published independently over many years, each of the essays in this collection asks how a poet's words reveal the "force ofpoetry," that force--in Dr Johnson's words--"which calls new power into being, which embodies sentiment, and animates matter." The poets covered range from John Gower, Marvell, and Milton to Wordsworth, Empson, Stevie Smith, Lowell, and Larkin, and the book contains four wider essays on cliches, lies, misquotations, and American English.
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Christopher Ricks is one of the best-known living critics of English, and was described by W. H. Auden as `the kind of critic every poet dreams of finding'. Though published indepenently over many years, each of the essays in this collection of his writings asks how a poets words reveal the `force of poetry', that force - in Dr Johnson's words - `which calls new power into being, which embodies sentiment, and animates matter'. The poets covered range from John Gower, Marvell, and Milton to Wordsworth, Empson, Stevie Smith, Lowell, and Larkin, and the book contains four wider essays on clichés, lies, misquotations, and American English.
Christopher Ricks is one of the best-known living critics of English, and was described by W. H. Auden as `the kind of critic every poet dreams of finding'. He is author of Beckett's Dying Words (OUP, 1993), Keats and Embarrassment (OUP, 1974), and editor of The New Oxford Book of Victorian Verse (Oxford, 1987).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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