This is a revised and expanded edition of an introduction to electronic and computer music, dealing with the development of electronic and computer music from its birth to the present day. After an introductory chapter concerned with the antecedents of electronic music from the turn of the century to World War II, the book continues with the birth and development of the early "classical" studies of the 1950s, examined both in terms of their design philosophy and also their compositional output. A chapter devoted to the characteristics of voltage control technology leads to a study of the subsequent upsurge of creative activity, considered under three headings: tape works, live electronic music and the early use of electronics in rock and pop music. Attention is then turned to the sphere of computer music and its evolution from the early experiments with large commercial computers to the advanced music workstations of today. This section has been expanded from the first edition to take account of the rapid development of this technology since the early 1980s, in particular the introduction of MIDI and the increasing use of the personal computer as a musical tool. The primary objective throughout is to provide the reader with a critical perspective of the medium both in terms of its musical output and the philosophical and technical features which have shaped its growth.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This is a revised and expanded edition of Peter Manning's classic introduction to electronic and computer music, dealing with the development of electronic and computer music from its birth to the present day. After an introductory chapter concerned with the antecedents of electronic music from the turn of the century to the Second World War, the book continues with the birth and development of the early `classical' studios of the 1950s, examined both in terms of their design philosophy and also their compositional output. A chapter devoted to the characteristics of voltage control technology leads to a study of the subsequent upsurge of creative activity, considered under three headings: tape works, live electronic music, and the early use of electronics in rock and pop music. Attention is then turned to the sphere of computer music and its evolution from the early experiments with large commercial computers to the advanced music workstations of today. This section has been significantly expanded from the first edition to take account of the rapid development of this technology since the early 1980s, in particular the introduction of MIDI and the increasing use of the personal computer as a music tool. A bibliography and an extensive discography are included. The primary objective throughout is to provide the reader with a critical perspective of the medium both in terms of its musical output and the philosophical and technical features which have shaped its growth.
This updated and expanded third edition of Peter Manning's classic text, Electronic and Computer Music, deals with the development of the medium from its birth to the 21st century. The first section of the book, which remains essentially unchanged in this edition, covers electroacoustic music from its beginning at the turn of the century to 1945, the development of post-1945 'classical' studios, development of voltage-controlled technology, and its commercial exploitation in tape works, live electronic music, and the early use of electronics in rock and pop music. Section two, Computer Music, is heavily revised and significantly expanded and treats the digital revolution from the early experiments during the late 1950s and early 1960s to the advanced systems of today. Emphasizing the functional characteristics of emerging digital technologies and their influence on the creative development of the medium, Manning covers key developments in both commercial and the non-commercial sectors.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : Acceptable. Used - Acceptable. Ex-library with wear - may contain significant amounts of highlighting and underlining in pen or pencil. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-K-008-01509
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Hardcover. Etat : Good. Second Edition. ex-library copy with usual markings, covers have minor wear, corners and ends of spine bumped and lightly creased, binding tight, viii + 399 pages including index, electronic music from the 1897 patented Dynamophone or Teleharmonium to modern day computer generated music, a history and critic Size: 5.5 x 8.75. N° de réf. du vendeur 029632
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