This text is about aspects of music-making that have not previously been considered together and in an accessible form. It deals with "performance studies" as a coherent subject, exploring such issues as the ideas of anxiety and artistry, recent thought in the musical literature, tensions between Romanticism and Modernism, and the sound and design of music. It is written in non-technical language so that the lay reader will be able to gain an insight into how performers think, and what they think about. It is performers who bring classical music to a worldwide public, and yet the public is largely unaware of what it feels like to perform music, what aspects of the activity are a mystery even to the musicians themselves, and which are amenable to scrutiny, experiment, and improvement. This study should be of interest to performers, music college and performing arts students, music teachers and performing artists.
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Shared Concerns: Performing Music is about aspects of music-making that have not previously been considered together and in an accessible form. It deals with `performance studies' as a coherent subject, exploring such issues as the ideas of anxiety and artistry, recent thought in the musical literature, tensions between Romanticism nad Modernism, and the sound and design of music. It is written in non-technical language so that the lay reader will be able to gain an insight into how performers think, and what they think about. It is performers who bring classical music to a worldwide public, and yet the public is largely unaware of what it feels like to perform music, what aspects of the activity are a mystery even to the musicians themselves, and which are amenable to scrutiny, experiment, and improvement. The book offers a sustained but compact argument in a rich and entertaining narrative.
perceptive book ... The book consists of seven short essays, related to aspects of performance ... and is written not only with considerable insight and originality, but also with engaging enthusiasm. (Angus Watson, British Journal of Music)
I suspect there is something for everyone in these thoughtfully assembled musings ... like all expert performers, Dunsby draws upon a lifetime of preparation (both thoughts and deeds) in executing an immensely difficult but seemingly effortless performative task ... a brilliant and exciting performance ... music lovers, professionals and academic musicians alike - will be enriched and their thoughts (and deeds?) provoked in the best possible sense ... the abundant ideas and sheer elegance of thought in this book will be a source of inspiration. (John Rink, Music and Letters, Vol. 77, No. 2, May '96)
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Hardback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR008164680
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Vendeur : Better World Books Ltd, Dunfermline, Royaume-Uni
Etat : Very Good. First Edition (US) First Printing. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 55421878-20
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Vendeur : FITZ BOOKS AND WAFFLES, Buffalo, NY, Etats-Unis
Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st Edition. Music. First Printing. This is a clean, undamaged copy signed by the previous owner but otherwise unmarked. N° de réf. du vendeur ABE-1753814005228
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