Articles liés à The Chromatic Fourth: During Four Centuries of Music

The Chromatic Fourth: During Four Centuries of Music - Couverture rigide

Williams, Peter

 
9780198165637: The Chromatic Fourth: During Four Centuries of Music
Couverture rigide
ISBN 10 : 0198165633 ISBN 13 : 9780198165637
Editeur : Oxford University Press, 1998

Synopsis

Despite its rather forbidding name, the `Chromatic Fourth' is one of the most familiar short themes in virtually all western music over the four hundred years before the middle of our century. It is a sequence of six notes that can be heard in a huge variety of ways, most originally, effectively, and beautifully in the work of the greatest composers, from the madrigalists to Stravinsky, from Byrd to Bartók, with telling examples in the operas of Monteverdi, Mozart, and Wagner, or in the keyboard music of Bull, Bach, and Schubert.

Although the existence of the chromatic fourth has long been recognized, and occasionally mentioned by music historians, this is the first thorough-going attempt to trace its likely origins and its evolution over four hundred years. With over 200 music examples, Peter Williams demonstrates the theme's wonderful variety, and shows that it was used by composers not only as a means of emotional expression, but also as a structural device.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

Présentation de l'éditeur

Despite its rather forbidding name, the `Chromatic Fourth' is one of the most familiar short themes in virtually all western music over the four hundred years before the middle of our century. It is a sequence of six notes that can be heard in a huge variety of ways, most originally, effectively, and beautifully in the work of the greatest composers, from the madrigalists to Stravinsky, from Byrd to Bartók, with telling examples in the operas of Monteverdi, Mozart, and Wagner, or in the keyboard music of Bull, Bach, and Schubert. Although the existence of the chromatic fourth has long been recognized, and occasionally mentioned by music historians, this is the first thorough-going attempt to trace its likely origins and its evolution over four hundred years. With over 200 music examples, Peter Williams demonstrates the theme's wonderful variety, and shows that it was used by composers not only as a means of emotional expression, but also as a structural device.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Oxford University Press
Date d'édition
1998
Langue
anglais
ISBN 10 
0198165633
ISBN 13 
9780198165637
Reliure
Relié
Nombre de pages
272
Coordonnées du fabricant
non disponible
Personne responsable
Ufficio Anagrafiche Messaggerie
ufficio.anagrafiche@meli.it

Via Verdi, 8
Assago Milano
20090
Italie