Richard Wagner's opera Das Rheingold is a milestone in the composer's output and in the history of music in general. It marked Wagner's return to operatic composition after a hiatus of five years, and signified his definitive break with earlier operatic conventions. It also represents a reconsideration of the whole question of dramatic-musical form, and the role of tonality in articulating this form. Warren Darcy traces here the genesis of Das Rheingold through the various textual and musical sketches and drafts to the full score, and also develops a theoretical framework within which the opera may be meaningfully analyzed. Using Wagner's manuscripts as a point of departure, Darcy discusses the formal, harmonic, and linear structure of the work. In so doing, he challenges a number of contemporary views about the opera, esppecially those of Carl Dahlhaus.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
'the most comprehensive study of the opera yet ... Darcy uses his work on the sources to describe the compositional process of the opera, but also as a springboard for a thoroughgoing analysis. This invaluable study necessarily grapples with minutiae and isn't for the faint-hearted.' Barry Millington, BBC Music Magazine
'the most thorough account of the work yet to appear in print ... There are many fascinating details here showing Wagner's skill at honing his material towards a perfect final result. The form and layout of the book are impressively clear. D'Arcy's prose style is generally communicative, admirable in its adoption of clarity and concision rather than verbosity and academic élitist jargon ... the book has undoubted virtues and much valuable and fascinating information, drawing us closer than ever before to Wagner's compositional workbench.' David Allenby, Wagner, September 1994
'No one should doubt that Darcy has performed prodigies of synthesis in bringing his vision of Das Rheingold to completion. The extensive transcriptions are invaluable, the analytical interpretations courageously consistent and clear. Darcy's Wagner is for those in search of all-inclusive certainties.' Arnold Whittall, Music and Letters, Vol. 75, No. 4, Nov '94
there is much of value here - meticulous documentary research, original interpretative insight, perceptive musical analysis, and above all, an imaginative synthesis that links compositional genesis, drama, and music into a coherent view of the opera. Darcy is to be commended for the attention that he lavishes on the text of Rheingold. Darcy is well equipped, as both a historian and a musician, to handle the task of interpreting the drafts. (Patrick Mccreless, 19th Century Music)
Warren darcy's recent monograph on Das Rheingold...is the first full-length study of such source material to appear...a reference source for those interested in pursuing critical or analytical readings of individual passages from Das Rheingold or considering analytical issues in Wagner more generally. (Notes Dec 95)
Richard Wagner's opera Das Rheingold is a milestone in the composer's outlput and in the history of music in general. It marked Wagner's return to operatic composition after a hiatus of five years, and signified his definitive break with earlier operatic conventions. it also represents a reconsideration of the whole question of dramatic-musical form, and the role of tonality in articulating this form. Warren Darcy traces here the genesis of Das Rheingold through the various textual and musical sketches and drafts to the full score, and also develops a theoretical framework within which the opera may be meaningfully analysed. Using Wagner's manuscripts as a point of departure, Darcy discusses the formal, harmonic, and linear structure of the work. In so doing, he challenges a number of contemporary views about the opera, including those of Curt von Westernhagen and Carl Dahlhaus.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Austin Sherlaw-Johnson, Secondhand Music, Oxford, Royaume-Uni
Paperback. Etat : Very Good. Near mint. N° de réf. du vendeur 024551
Quantité disponible : 1 disponible(s)
Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. Questo è un articolo print on demand. N° de réf. du vendeur 3a4fee964a89e4d5e65e3423eaa226fa
Quantité disponible : Plus de 20 disponibles
Vendeur : Phatpocket Limited, Waltham Abbey, HERTS, Royaume-Uni
Etat : Very Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Shows some signs of wear but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. N° de réf. du vendeur Z1-U-025-02835
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 72036-n
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L0-9780198166030
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 72036
Quantité disponible : Plus de 20 disponibles
Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L0-9780198166030
Quantité disponible : Plus de 20 disponibles
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Paperback. Etat : new. Paperback. Richard Wagner's opera Das Rheingold is a milestone in the composer's outlput and in the history of music in general. It marked Wagner's return to operatic composition after a hiatus of five years, and signified his definitive break with earlier operatic conventions. it also represents a reconsideration of the whole question of dramatic-musical form, and the role of tonality in articulating this form. Warren Darcy traces here the genesis ofDas Rheingold through the various textual and musical sketches and drafts to the full score, and also develops a theoretical framework within which the opera may be meaningfully analysed. Using Wagner'smanuscripts as a point of departure, Darcy discusses the formal, harmonic, and linear structure of the work. In so doing, he challenges a number of contemporary views about the opera, including those of Curt von Westernhagen and Carl Dahlhaus. In this book, Warren Darcy traces the compositional genesis of Richard Wagner's opera Das Rheingold, the first opera of his great operatic tetralogy Der Ring des Nibelungen. He also attempts a comprehensive formal and tonal analysis of the piece. Basing his work upon Wagner's textual and musical manuscripts, he employs the most up-to-date analytical techniques. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780198166030
Quantité disponible : 1 disponible(s)
Vendeur : Ria Christie Collections, Uxbridge, Royaume-Uni
Etat : New. In. N° de réf. du vendeur ria9780198166030_new
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPricesUK, Woodford Green, Royaume-Uni
Etat : New. N° de réf. du vendeur 72036-n
Quantité disponible : Plus de 20 disponibles