Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. Consequently myths and guesses abound, while accurate and reliable information is hard to come by. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers. There are detailed descriptions of many surviving Viennese instruments, several of which have only recently come to light; contemporary newspaper advertisements for over 1200 keyboard instruments are reproduced, in the original German as well as in English translation; and an alphabetical list of eighteenth-century Viennese makers includes much newly-discovered biographical information as well as some previously unknown names.
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ending with a fascinating chapter on owners, dealers and prices. The book provides as much information about social history as about music, and this last chapter provides gems of both. (Harpsichord & fortepiano, Vol 9, No 1, Spring 2001)
One of the strengths of the book is that it deals with clavichords and harpsichords as well as pianos, which means that Maunder's conclusions have a greater breadth than less inclusive studies (Harpsichord & fortepiano, Vol 9, No 1, Spring 2001)
invaluable as source-material ... much new information (Harpsichord & fortepiano, Vol 9, No 1, Spring 2001)
Maunder's well-presented book is a concise essay that radically alters our notions about Viennese instruments (Harpsichord & fortepiano, Vol 9, No 1, Spring 2001)
outstanding ... Richard Maunder's thorough account covers harpsichord, piano, and clavicord. Like most books of this type, it delivers both a micro- and a macromessage ... Maunder provides much of his data, with more than one hundred pages of tables and appendixes. This is valuable material and Clarendon Press should be commended for allowing its inclusion. (Edward L Kottick, Notes September 1999)
Packed with the facts about the existing keyboards for which Haydn, Mozart, and Beethoven composed, this is a modest exercise in 'micro-history' ... (S. Glickman, Franklin and Marshall College, CHOICE June 99)
Although eighteenth-century Viennese keyboard music, especially by such composers as Haydn, Mozart, and Beethoven, is among the most popular ever written, there has been surprisingly little serious research into the instruments for which it was composed. Consequently myths and guesses abound, while accurate and reliable information is hard to come by. This book fills that gap. Based on evidence from primary source material, much of it previously undiscovered or neglected, Maunder traces the history and development of the various keyboard instruments available in Vienna throughout the eighteenth century--harpsichords, clavichords, and pianos--and their use by composers and performers. There are detailed descriptions of many surviving Viennese instruments, several of which have only recently come to light; contemporary newspaper advertisements for over 1200 keyboard instruments are reproduced, in the original German as well as in English translation; and an alphabetical list of eighteenth-century Viennese makers includes much newly-discovered biographical information as well as some previously unknown names.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Destinations, frais et délaisVendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:0198166370. N° de réf. du vendeur 9886227
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Vendeur : Travis & Emery Music Bookshop ABA, London, Royaume-Uni
8vo xi, 266 pages. Cloth in d/w, VG/VG. Plates and illustrations. N° de réf. du vendeur _76365_V_
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Vendeur : Brook Bookstore On Demand, Napoli, NA, Italie
Etat : new. Questo è un articolo print on demand. N° de réf. du vendeur 7bfb32be69e669de68397cbdfe40b625
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Einband - fest (Hardcover). Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Based on new evidence from surviving instruments and contemporary newspaper advertisement, this volume traces the history and development of Viennese harpsichords, clavichords and pianos in the eighteenth century, and their use by composers and performers o. N° de réf. du vendeur 545044928
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Vendeur : OM Books, Sevilla, SE, Espagne
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