George Frideric Handel was a defining figure of the late Baroque era, shaping its music for the theatre in much the same way J.S. Bach dominated the writing of music for use in church. Perhaps, best known for bringing the oratorio form to an English-speaking audience with masterworks, such as Messiah, Handel also had a distinguished career, as a composer of Italian operas, and furthermore found time to influence the development of orchestral music by writing, such works as the "Water Music" and "Music for the Royal Fireworks". Donald Burrows's new biography relates Handel's life and his music, devoting particular attention to two crucial junctures in Handel's development: his transition from a church-trained musician in Germany to a successful opera composer in London, and the gradual transformation of his theatre career from opera to oratorio, some thirty years later. In the oratorio form, as Burrows demonstrates, Handel was able to combine the techniques of large-scale construction and of aria writing that he had developed in his operas with an experience of choral music that went back to his earliest training as a church organist. The result was music that succeeds to this day in capturing the imagination of a vast audience. The last half-century has seen Handel take a major place in modern musical scholarship. This book takes into account not only recent knowledge of historical sources and significant studies of Handel's major works, but also research on Handel's 'borrowing' practices, his habit of using the existing musical ideas of other composers, as well as his own. Yet, Handel remains unsurpassed as one of the greatest compositional architects in the history of Western music, with a sure instinct for both balance and originality in the final result. In this insightful study, Donald Burrows brings to life not only the glory of Handel's artistry, but also his sometimes elusive personality and the flavour of the times and places in which he lived.
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George Frideric Handel was a defining figure of the late Baroque era, shaping its music for the theatre in much the same way J.S. Bach dominated the writing of music for use in church. Perhaps best known for bringing the oratorio form to an English-speaking audience with masterworks such as Messiah, Handel also had a distinguished career, as a composer of Italian operas, and furthermore found time to influence the development of orchestral music by writing such works as the Water Music and Music for the Royal Fireworks. Donald Burrows's new biography relates Handel's life and his music, devoting particular attention to two crucial junctures in Handel's development: his transition from a church-trained musician in Germany to a successful opera composer in London, and the gradual transformation of his theatre career from opera to oratorio, some thirty years later. In the oratorio form, as Burrows demonstrates, Handel was able to combine the techniques of large-scale construction and of aria writing that he had developed in his operas with an experience of choral music that went back to his earliest training as a church organist. The result was music that succeeds to this day in capturing the imagination of a vast audience. The last half-century has seen Handel take a major place in modern musical scholarship. This book takes into account not only recent knowledge of historical sources and significant studies of Handel's major works, but also research on Handel's `borrowing' practices, his habit of using the existing musical ideas of other composers as well as his own. Yet Handel remains unsurpassed as one of the greatest compositional architects in the history of Western music, with a sure instinct for both balance and originality in the final result. In this insightful study, Donald Burrows brings to life not only the glory of Handel's artistry, but also his sometimes elusive personality and the flavour of the times and places in which he lived.
Donald Burrows is a leading authority on the life and music of George Frideric Handel. His book Handel and the English Chapel Royal has been recognised as the first full-scale study of Handel's English church music. His published editions of Handel's music include the oratorios Messiah, Samson and Belshazzar, the operas Imeneo and Ariodante, the complete violin sonatas and the suite for two harpsichords.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Vendeur : Bookbot, Prague, Rébublique tchèque
Softcover. Etat : Fine. Leichte Rillen / Abschürfungen / Risse / Knicke. Celebrating its 100th anniversary, this extraordinary series continues to captivate readers with detailed insights into the lives and work of music's geniuses. Unlike typical composer biographies that focus solely on music, this series delves into the personal histories of each composer and the social contexts of their creations. Each volume, approximately 300 pages long, provides a vivid portrait of the musicians' inspirations, influences, life experiences, and even their weaknesses, alongside accessible discussions of their works. Additionally, each volume includes valuable reference materials such as a detailed chronology, a complete list of works, a glossary of significant individuals in the composer's life, and a select bibliography. Under the guidance of series general editor Stanley Sadie, this collection continues to delight music scholars, serious musicians, and music lovers alike. In this volume, Donald Burrows examines Handel's life and music, focusing on two pivotal moments: his evolution from a church-trained musician in Germany to a successful opera composer in London, and the shift in his theater career from opera to oratorio. Burrows illustrates how Handel skillfully combined large-scale construction techniques and aria writing with his early choral music experience, resulting in timeless works that continue to captivate audiences today. N° de réf. du vendeur 330da35f-b614-4fc3-a84d-0ce842243358
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