Set in the framework of Beethoven's life, William Kinderman's detailed examination of the music traces the composer's intellectual and musical development, from the early works written in Bonn to the Ninth Symphony and the late quartets. Beethoven's innovations in form and style, his musical symbolism and narrative structures are illustrated in analyses of all the main works, showing that the deepening of his musical thought was a continuous process throughout his life. William Kinderman also shows how Beethoven's response to the political and philosophical currents of his time is reflected in some of his greatest masterpieces. Although the implications of Beethoven's deafness and other personal crises are fully addressed, so too are the lighter aspects of his personality - his humour, his love of puns, and his delight in juxtaposing the exalted and the commonplace. Combining musical insight and the most recent research, Beethoven is both a portrait of the man and a guide to his music.
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Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early chamber music, his songs, his opera Fidelio, and to a number of often-neglected works of the composer's later years and fascinating projects left incomplete. A revised view emerges from this of Beethoven's aesthetics and the musical meaning of his works. Rather than the conventional image of a heroic and tormented figure, Kinderman provides a more complex, more fully rounded account of the composer. Although Beethoven's deafness and his other personal crises are addressed, together with this ever-increasing commitment to his art, so too are the lighter aspects of his personality: his humor, his love of puns, his great delight in juxtaposing the exalted and the commonplace.
William Kinderman is Professor of Musicology at the University of Illinois - Champaign-Urbana. His books include Beethoven's "Diabelli" Variations (OUP, 1987), ed., Beethoven's Compositional Process (Nebraska, 1991), Beethoven (OUP and California, 1995), ed., The Second Practice of Nineteenth-Century Tonality (Nebraska, 1996), Artaria 195: Beethoven's Sketchbook for the 'Missa solemnis' and the Piano Sonata in E Major, Opus 109 (Chicago, 3 vols., 2003), ed. (with Katherine Syer), A Companion to Wagner's "Parsifal" (Camden House, 2005), ed., The String Quartets of Beethoven (Illinois, 2006), and Mozart's Piano Music (OUP, 2006). He is also an accomplished pianist whose recordings have been met with global acclaim.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Soft cover. Etat : Very Good. No Jacket. Oxford University Press, 1997. Pictorial soft cover. Book Condition : Very good to near fine. Appears little read. Superb illustrations. Book will be sent by UK postal service. JT022031. N° de réf. du vendeur 022031
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