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Présentation de l'éditeur :
This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre. Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakesparian, and other Renaissance theatres. Robert Miola re-evaluates Plautus and Terence in the light of the Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramtist such as Middleton, Joson, Heywood, and Chapman. Four broad catergories organize the discussion - New Comedic errors, intrigue, alazoneia, and romance - and each is illustrated by illuminating readings of individual Shakespearian plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear. Robert Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and of his foremost antecedents, but also of his artistry and achievement.
Revue de presse :
This book, a commendably swift follow-up to the author's Shakespeare and Classical Tragedy: The Influence of Seneca ... like its predecessor, digests a formidable amount of reading ... Robert Miola is a mature critic who has arrived at original insights by a long process of study and thought ... this book takes its place among the few really valuable books on Shakespeare's comedies. (Brian Vickers, Centre for Renaissance Studies, ETH Zurich, MLR, 91.4, 1996)
of exceptionally high quality ... companion volume to his book on the tragedies ... and every bit as good ... His book is illuminating, lovingly attentive to its texts, and gracefully written. (English Studies)
of exceptionally high quality ... companion volume to his book on the tragedies ... and every bit as good ... His book is illuminating, lovingly attentive to its texts, and gracefully written. (English Studies)
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- ÉditeurClarendon Press
- Date d'édition1994
- ISBN 10 0198182694
- ISBN 13 9780198182696
- ReliureRelié
- Nombre de pages246
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Shakespeare and Classical Comedy The Influence of Plautus and Terence
Edité par
Clarendon Press
(1995)
ISBN 10 : 0198182694
ISBN 13 : 9780198182696
Neuf
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Shakespeare and Classical Comedy: The Influence of Plautus and Terence
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OUP Oxford
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SHAKESPEARE AND CLASSICAL COMEDY
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Clarendon Press
(1995)
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ISBN 13 : 9780198182696
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Description du livre Etat : New. New. In shrink wrap. Looks like an interesting title! 0.9. N° de réf. du vendeur Q-0198182694
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Shakespeare and Classical Comedy The Influence of Plautus and Terence
Edité par
Clarendon Press
(1995)
ISBN 10 : 0198182694
ISBN 13 : 9780198182696
Neuf
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Description du livre HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000. N° de réf. du vendeur L1-9780198182696
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EUR 164,21
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Shakespeare and Classical Comedy: The Influence of Plautus and Terence
Edité par
Clarendon Press
(1995)
ISBN 10 : 0198182694
ISBN 13 : 9780198182696
Neuf
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Description du livre Etat : New. N° de réf. du vendeur ABLIING23Feb2215580040320
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Shakespeare and Classical Comedy : The Influence of Plautus and Terence
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Sydney University Press
(1995)
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Description du livre Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert S. Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre. Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessment of the complex interactions of the Classical, Shakespearean, and other Renaissance theatres. Robert S. Miola re-evaluates Plautus and Terence in the light of their Greek antecedents, and gives special attention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramatists such as Middleton, Jonson, Heywood, and Chapman. Four broad categories organize the discussion - New Comedic errors, intrigue, alazoneia (pretension), and romance - and each is illustrated by illuminating readings of individual Shakespearean plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich history of literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear. Robert S. Miola's thoroughly researched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and his foremost antecedents, but also of Renaissance theatre, and its complex adaptations of ancient texts and traditions. N° de réf. du vendeur 9780198182696
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EUR 186,98
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Shakespeare and Classical Comedy (Hardcover)
Edité par
Oxford University Press, Oxford
(1994)
ISBN 10 : 0198182694
ISBN 13 : 9780198182696
Neuf
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Description du livre Hardcover. Etat : new. Hardcover. This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Robert Miola analyses these sources, and places the comedies in their Renaissance context, as well as in the larger context of European theatre.Discovering new indebtedness, and discerning new patterns in previously attested borrowings, Shakespeare and Classical Comedy presents an integrated and comprehensive assessmentof the complex interactions of the Classical, Shakesparian, and other Renaissance theatres. Robert Miola re-evaluates Plautus and Terence in the light of the Greek antecedents, and gives specialattention to Renaissance translations and commentaries, Italian theorists, and playwrights, as well as contemporary dramtist such as Middleton, Joson, Heywood, and Chapman. Four broad catergories organize the discussion - New Comedic errors, intrigue, alazoneia, and romance - and each is illustrated by illuminating readings of individual Shakespearian plays. The author keeps in view Shakespeare's eclecticism, his habit of combining disparate sources and traditions, as well as the rich historyof literary criticism and theatrical interpretation. The book concludes by discussing the presence of New Comedy in tragedy, in Hamlet and King Lear.Robert Miola's thoroughlyresearched book ranges over a vast amount of European drama, from Aristophanes to Beckett and Ionesco. It makes an important contribution to our understanding not only of Shakespeare and of his foremost antecedents, but also of his artistry and achievement. This book surveys Shakespeare's comedies, charting the influence upon them of the ancient playwrights, Plautus and Terence. Analysing these sources, and placing the comedies in their Renaissance context, as well as in the larger context of European theatre, Robert Miola's book looks at the theory of comedy. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780198182696
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Shakespeare and Classical Comedy: The Influence of Plautus and Terence
Edité par
Clarendon Press
(1995)
ISBN 10 : 0198182694
ISBN 13 : 9780198182696
Neuf
Couverture rigide
Quantité disponible : 1
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Description du livre Hardcover. Etat : new. New Copy. Customer Service Guaranteed. N° de réf. du vendeur think0198182694
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