Historicist and feminist accounts of the `rise of the novel' have neglected the phenomenon of the professional woman writer in England prior to the advent of the sentimental novel in the 1740s. Seductive Forms explores the means by which the three leading Tory women novelists of the late seventeenth and early eighteenth centuries challenged and reworked both contemporary gender ideologies and generic convention. The seduction plot provided Aphra Behn, Delarivier Manley, and Eliza Haywood with a vehicle for dramatizing their own appropriation of the `masculine' power of fiction-making. Seduction is employed in these fictions as a metaphor for both novelistic production (the seduction of the reader by the writer) and party political machination (the seduction of the public by the politician). This challenging and lively book also explores the debts early prose fiction owed to French seventeenth-century models of fiction-writing and argues that Behn, Manley, and Haywood succeed in producing a distinctively `English' and female `form' for the amatory novel.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Historicist and feminist accounts of the `rise of the novel' have neglected the phenomenon of the professional woman writer in England prior to the advent of the sentimental novel in the 1740s. Seductive Forms explores the means by which the three leading Tory women novelists of the late seventeenth and early eighteenth centuries challenged and reworked both contemporary gender ideologies and generic convention. The seduction plot provided Aphra Behn, Delarivier Manley, and Eliza Haywood with a vehicle for dramatizing their own appropriation of the `masculine' power of fiction-making. Seduction is employed in these fictions as a metaphor for both novelistic production (the seduction of the reader by the writer) and party political machination (the seduction of the public by the politician). This challenging and lively book also explores the debts early prose fiction owed to French seventeenth-century models of fiction-writing and argues that Behn, Manley, and Haywood succeed in producing a distinctively `English' and female `form' for the amatory novel.
...an extraordinary rich and interesting book...the range of sources is extensive, the readings provocative, and the grasp of the relation between text and culture both assured and suggestive. And, again characteristically, the subtlety of the feminist theory she deploys allows a persuasive new reading of the problematic 'rise of the novel'. (Review of English Studies)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : David Bunnett Books, London, Royaume-Uni
SOFTCOVER. Etat : Fine. Reprint. 8vo in illustrated stiff glossy card covers, 232pp, bibliography, index . [CONDITION: A well preserved FINE very clean and tight unmarked copy in not far from new condition ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS. N° de réf. du vendeur TN240748
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Etat : New. An account of women's contribution to the rise of the novel in the late seventeenth and early eighteenth centuries in England. The prose fiction of Aphra Behn, Delarivier Manley, and Eliza Haywood is considered as both providing erotic pleasure for its readers and scoring political points for its partisan authors. Num Pages: 240 pages, bibliography, index. BIC Classification: 1DBKE; 2AB; 3JD; 3JF; DSBD; DSK; JFSJ1. Category: (P) Professional & Vocational. Dimension: 215 x 141 x 13. Weight in Grams: 298. . 1998. Paperback. . . . . N° de réf. du vendeur V9780198184775
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Paperback. Etat : new. Paperback. Historicist and feminist accounts of the `rise of the novel' have neglected the phenomenon of the professional woman writer in England prior to the advent of the sentimental novel in the 1740s. Seductive Forms explores the means by which the three leading Tory women novelists of the late seventeenth and early eighteenth centuries challenged and reworked both contemporary gender ideologies and generic convention. The seduction plot provided Aphra Behn,Delarivier Manley, and Eliza Haywood with a vehicle for dramatizing their own appropriation of the `masculine' power of fiction-making. Seduction is employed in these fictions as a metaphor for both novelisticproduction (the seduction of the reader by the writer) and party political machination (the seduction of the public by the politician). This challenging and lively book also explores the debts early prose fiction owed to French seventeenth-century models of fiction-writing and argues that Behn, Manley, and Haywood succeed in producing a distinctively `English' and female `form' for the amatory novel. Seductive Forms is a highly praised account of women's contribution to the `rise of the novel' in the late seventeenth and early eighteenth centuries in England. The prose fiction of Aphra Behn, Delarivier Manley, and Eliza Haywood is considered as both providing erotic pleasure for its readers and scoring political points for its partisan (Tory) authors. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780198184775
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