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9780198314943: Oxford Playscripts: The Amazing Maurice and his Educated Rodents
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Maurice is no ordinary cat. He's amazing. He can think, he can talk...and he has an amazing scam going. And all he needs to pull it off is an army of intelligent rats and one stupid-looking kid. But when his gang enter Bad Blintz, the town they have decided to con next, they soon realize that all is not as it should be - and decide to investigate. Three squads of rats spread out under the town, their mission to dismantle traps, bury poison, do some serious widdling, and to find out exactly what those resident rat-catchers are up to...

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Extrait :
Rats!

They chased the dogs and bit the cats, they—

But there was more to it than that. As the amazing Maurice said, it was just a story about people and rats. And the difficult part of it was deciding who the people were, and who were the rats.

But Malicia Grim said it was a story about stories.

It began — part of it began — on the mail coach that came over the mountains from the distant cities of the plain.

This was the part of the journey that the driver didn't like. The way wound through forests and around mountains on crumbling roads. There were deep shadows between the trees. Sometimes he thought things were following the coach, keeping just out of sight. It gave him the willies.

And on this journey, the really big willie was that he could hear voices. He was sure of it. They were coming from behind him, from the top of the coach, and there was nothing there but the big oilcloth mail-sacks and the young man's luggage. There was certainly nothing big enough for a person to hide inside. But occasionally he was sure he heard squeaky voices, whispering.

There was only one passenger at this point. He was a fair-haired young man, sitting all by himself inside the rocking coach, reading a book. He was reading slowly, and aloud, moving his finger over the words.

'Ubberwald,' he read out.

'That's "Überwald",' said a small, squeaky but very clear voice. 'The dots make it a sort of long "ooo" sound. But you're doing well.'

'Ooooooberwald?'

'There's such a thing as too much pronunciation, kid,' said another voice, which sounded half asleep. 'But you know the best thing about Überwald? It's a long, long way from Sto Lat. It's a long way from Pseudopolis. It's a long way from anywhere where the Commander of the Watch says he'll have us boiled alive if he ever sees us again. And it's not very modern. Bad roads. Lots of mountains in the way. People don't move about much up here. So news doesn't travel very fast, see? And they probably don't have policemen. Kid, we can make a fortune here!'

'Maurice?' said the boy, carefully.

'Yes, kid?'

'You don't think what we're doing is, you know . . . dishonest, do you?'

There was a pause before the voice said, 'How do you mean, dishonest?'

'Well . . . we take their money, Maurice.' The coach rocked and bounced over a pot-hole.

'All right,' said the unseen Maurice, 'but what you've got to ask yourself is: who do we take the money from, actually?'

'Well . . . it's generally the mayor or the city council or someone like that.'

'Right! And that means it's . . . what? I've told you this bit before.'

'Er . . .'

'It is gov-ern-ment money, kid,' said Maurice patiently. 'Say it? Gov-ern-ment money.'

'Gov-ern-ment money,' said the boy obediently.

'Right! And what do governments do with money?'

'Er, they . . .'

'They pay soldiers,' said Maurice. 'They have wars. In fact, we've prob'ly stopped a lot of wars by taking the money and putting it where it can't do any harm. They'd put up stachoos to us, if they thought about it.'

'Some of those towns looked pretty poor, Maurice,' said the kid doubtfully.

'Hey, just the kind of places that don't need wars, then.'

'Dangerous Beans says it's . . .' The boy concentrated, and his lips moved before he said the word, as if he was trying out the pronunciation to himself, '. . . It's un-eth-ickle.'

'That's right, Maurice,' said the squeaky voice. 'Dangerous Beans says we shouldn't live by trickery.'

'Listen, Peaches, trickery is what humans are all about,' said the voice of Maurice. 'They're so keen on tricking one another all the time that they elect governments to do it for them. We give them value for money. They get a horrible plague of rats, they pay a rat piper, the rats all follow the kid out of town, hoppity-skip, end of plague, everyone's happy that no-one's widdling in the flour any more, the government gets re-elected by a grateful population, general celebration all round. Money well spent, in my opinion.'

'But there's only a plague because we make them think there is,' said the voice of Peaches.

'Well, my dear, another thing all those little governments spend their money on is rat-catchers, see? I don't know why I bother with the lot of you, I really don't.'

'Yes, but we—'

They realized that the coach had stopped. Outside, in the rain, there was the jingle of harness. Then the coach rocked a little, and there was the sound of running feet.

A voice from out of the darkness said, 'Are there any wizards in there?'

The occupants looked at one another in puzzlement.

'No?' said the kid, the kind of 'no' that means 'why are you asking?'

'How about any witches?' said the voice.

'No, no witches,' said the kid.

'Right. Are there any heavily-armed trolls employed by the mail-coach company in there?'

'I doubt it,' said Maurice.

There was a moment's pause, filled with the sound of the rain.

'OK, how about werewolves?' said the voice eventually.

'What do they look like?' asked the kid.

'Ah, well, they look perfectly normal right up to the point where they grow all, like, hair and teeth and giant paws and leap through the window at you,' said the voice. The speaker sounded as though he was working through a list.

'We've all got hair and teeth,' said the kid.

'So you are werewolves, then?'

'No.'

'Fine, fine.' There was another pause filled with rain. 'OK, vampires,' said the voice. 'It's a wet night, you wouldn't want to be flying in weather like this. Any vampires in there?'

'No!' said the kid. 'We're all perfectly harmless!'

'Oh boy,' muttered Maurice, and crawled under the seat.
Quatrième de couverture :
IT’S A RAT-EAT-RAT WORLD . . .

Every town on Discworld knows the stories about rats and pipers, and Maurice – a streetwise tomcat – leads a band of educated ratty friends (and a stupid kid) on a nice little earner. Piper plus rats equals lots and lots of money.

Until they run across someone playing a different tune.

Now he and his rats must learn a new concept: evil . . .

WINNER OF THE CARNEGIE MEDAL

‘An astonishing novel . . . Were Terry not demonstrably a master craftsman already, The Amazing Maurice might be considered his masterpiece’ Financial Times

‘Ethically challenging, beautifully orchestrated’ Guardian

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  • ÉditeurOUP Oxford
  • Date d'édition2003
  • ISBN 10 0198314949
  • ISBN 13 9780198314943
  • ReliureBroché
  • Nombre de pages128
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Description du livre Paperback. Etat : new. Paperback. Maurice is no ordinary cat. He's amazing. He can think, he can talk.and he has an amazing scam going. And all he needs to pull it off is an army of intelligent rats and one stupid-looking kid. But when his gang enter Bad Blintz, the town they have decided to con next, they soon realize that all is not as it should be - and decide to investigate. Three squads of rats spread out under the town, their mission to dismantle traps, bury poison, do some serious widdling, and to find out exactly what those resident rat-catchers are up to. BLNew, innovative activities specifically tailored to support the KS3 Framework for Teaching English and help students to fulfil the Framework objectives. Activities include work on Speaking and Listening, close text analysis, and the structure of playscripts, and act as a springboard for personal writing BLInsight in the plays themselves by their popular authors and adapters BLAdvice on staging Containing activities tailored to support the KS3 Framework for Teaching English, this work helps students fulfil the Framework objectives. It contains activities that include work on Speaking and Listening; close text analysis, and the structure of playscripts; and act as a springboard for personal writing. It provides advice on staging. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780198314943

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