The poet of the Odyssey was a seriously flawed genius. He had a wonderfully inventive imagination, a gift for pictorial detail and for introducing naturalistic elements into epic dialogue, and a grand architectural plan for the poem. He was also a slapdash artist, often copying verses from the Iliad or from himself without close attention to their suitability. With various possible ways of telling the story bubbling up in his mind, he creates a narrative marked by constant inconsistency of detail. He is a fluent composer who delights in prolonging his tale with subsidiary episodes, yet his deployment of the epic language is often inept and sometimes simply unintelligible.
The Making of the Odyssey is a penetrating study of the background, composition, and artistry of the Homeric Odyssey. Martin West places the poem in its late seventh-century context in relation to the Iliad and other poetry of the time. He also investigates the traditions that lie behind it: the origins of the figure of Odysseus, and folk tales such as those of the One-eyed Ogre and the Husband's Return.
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The late Martin Litchfield West was a Fellow and Praelector in Classics at University College, Oxford from 1963 to 1974, before taking up a post as Professor of Greek at the University of London where he remained until 1991, then becoming a Senior Research Fellow at All Souls College, Oxford. After his retirement in 2004 he became an Emeritus Fellow of All Souls. HM The Queen appointed him a Member of the Order of Merit (OM) in the 2014 New Year Honours.
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Vendeur : Scrinium Classical Antiquity, Aalten, Pays-Bas
Oxford University Press, 2017. 1st paperback ed. XI,315p. Paperback. 'An Honorary Fellow of All Souls, Martin West was appointed to the Order of Merit in 2013, a high and richly deserved honour for perhaps the most brilliant and productive Greek scholar of his generation. The Homeric epics have always been a favourite stamping ground of his, and here with his usual formidable confidence, acuity and mastery of detail he marshals all the evidence at his disposal to conclude that the Odyssey (whose poet he calls ?Q?) was not composed by the same poet as the Iliad, though Q certainly knew the Iliad; that it was composed somewhere in the Western Mediterranean (perhaps Euboea or Attica) around 630 BC as a rival to the Iliad (but surely someone would have know the poet?s name at that late date?); and that it is possible to discern various earlier versions of the poem on which Q constructed his own supreme effort. (.) This is a marvellous book by a superb scholar at the height of his powers. It rests on the assumption that the problems in the Odyssey arise not from interpolation but from the faults of the author. Whether it will wholly lay to rest the ghost of Denys Page, whose utterly persuasive and unmatchably witty The Homeric Odyssey (1955) introduced many of us to the joys of Homeric multiple authorship, remains to be seen.' (PETER JONES in Classics for All 07.04.2015). N° de réf. du vendeur 50909
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. The Making of the Odyssey is a penetrating study of the background, composition, and artistry of the Homeric Odyssey, which places the poem in its late seventh-century context in relation to the Iliad and other poetry of the time.The Making of the. N° de réf. du vendeur 205973543
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