This is a book about the messy, archival worlds of literature and computing, and the myriad of relations that have existed between the two. Before J. M. Coetzee was a writer of Nobel-Prize winning novels, the South African was a programmer for one of the most significant Cold War supercomputer projects in Britain. Experimental British writer Christine Brooke-Rose worked at Bletchley Park with Alan Turing. When not opining about modernism, Canadian literary critic Hugh Kenner was a devoted computer hobbyist. Literary scholars have often not known what to make of these 'other careers': intimidating, irrelevant, outside of the scope of literary studies, surely? When they do make links, it is often via the frame of formal logic that has dominated discussions of both computer history and literary modernism.
This book starts from a different assumption: that, far from irrelevant, these material experiences were significant in the development of the literary projects of writers including Coetzee, Brooke-Rose, Kenner, William Gaddis, and Kamau Brathwaite. It contends that it is in the practice and the archive, rather than on the plane of abstraction, that we can best see this influence. Addressing literary scholars, media and computer historians, and digital theorists alike, Programming Literature productively reframes contemporary debates around artificial intelligence, the value of the humanities, and tech culture by emphasizing just how material these worlds have always been.
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Rebecca Roach is Associate Professor at the University of Birmingham where her research and teaching focuses on contemporary literary culture. Her first book, Literature and the Rise of the Interview (2018), examined the form, practice, and technology of interviews. Prior to joining Birmingham in 2018, Dr Roach was a postdoctoral research associate at King's College London where she examined self-representation in new media. Before this, she completed a doctorate at the University of Oxford, a masters at the University of Edinburgh, and an undergraduate at the University of Oxford.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. This is a book about the messy, archival worlds of literature and computing, and the myriad of relations that have existed between the two. Before J. M. Coetzee was a writer of Nobel-Prize winning novels, the South African was a programmer for one of the most significant Cold War supercomputer projects in Britain. Experimental British writer Christine Brooke-Rose worked at Bletchley Park with Alan Turing. When not opining about modernism, Canadian literary criticHugh Kenner was a devoted computer hobbyist. Literary scholars have often not known what to make of these 'other careers': intimidating, irrelevant, outside of the scope of literary studies, surely? Whenthey do make links, it is often via the frame of formal logic that has dominated discussions of both computer history and literary modernism. This book starts from a different assumption: that, far from irrelevant, these material experiences were significant in the development of the literary projects of writers including Coetzee, Brooke-Rose, Kenner, William Gaddis, and Kamau Brathwaite. It contends that it is in the practice and the archive, rather than on the plane ofabstraction, that we can best see this influence. Addressing literary scholars, media and computer historians, and digital theorists alike, Programming Literature productively reframes contemporarydebates around artificial intelligence, the value of the humanities, and tech culture by emphasizing just how material these worlds have always been. This is a book about the archival worlds of literature and computing, and the myriad of relations that have existed between the two. It discusses a series of well-known writers who engaged in significant ways with computing--whether as mainframe programmer, computer hobbyist, or word processing novice--from the 1940s to the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780198976561
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