Critics argue that contemporary western societies are immersed in a "culture of memory," devoting resources to national histories and heritage, commemoration, public re-enactments, etc. We use these recollections of our national past to maintain a collective identity in the present, among other uses. These essays, edited by Cynthia Sugars and Eleanor Ty, explore how Canadian literature draws on aspects of cultural memory, past and future.
Exploring memory as a "vector of signification" involves a wide range of topics such concepts of as heritage, antiquity, nostalgia, elegy, ancestry, haunting, trauma, affect, aging, authenticity, commemoration, public history. Contributors to this collection consider literary treatments of both mainstream and alternative uses of cultural memory, past and contemporary, urban and rural. From well-known writers like Alice Munro, Al Purdy and Dionne Brand to recreations of Aboriginal pasts and less common topics like food and Mennonites, there is wide representation of Canada's literary diversity. And equally representative is the collection's historical spread, ranging across early explorer narratives to contemporary works. The collection digs into some of the darker moments in our past (immigrant experiences, recollections of interned Japanese-Canadians in World War 2, and memories of Native children in residential schools). The sheer ambition of this collection suggests the multifaceted ways that Canada's past is part of our collective cultural memory now. A four-page colour insert - including Seth cartoons as well as unique, little known photography - provides a compelling visual context for the collection's treatment of the complex, multifaceted character of cultural memory in Canada.
The collection is divided into five parts (amnesia, postmemory, recovery work, trauma, and globalization), all areas of research in the emerging field of cultural memory. These thought-provoking essays reflect the many ways the past infuses the present, and the present adapts the past. Students and scholars will find this rich collection useful in upper-level courses in Canadian literature as well as in cultural studies.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Cynthia Sugars is Professor in the Department of Literature, University of Ottawa. Her research and teaching focus on the links between national identities and cultural narratives, in the broad range of ways that Canadians, past and present, make sense of themselves as members of a national community that is shaped by a multiplicity of contending perspectives.
Eleanor Ty is Professor in the Department of English, Wilfrid Laurier University. She works on Asian North American Literature and Film and on Eighteenth Century British Literature.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Hockley Books, Palgrave, ON, Canada
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Clean and tight. Very good. N° de réf. du vendeur 007999
Quantité disponible : 1 disponible(s)
Vendeur : A Good Read, Toronto, ON, Canada
Hardcover. Etat : Fine. Etat de la jaquette : Fine. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. ; Themes In Canadian Sociology; 9.2 X 6.0 X 1.7 inches; 512 pages. N° de réf. du vendeur 182791
Quantité disponible : 1 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Critics argue that contemporary western societies are immersed in a "culture of memory," devoting resources to national histories and heritage, commemoration, public re-enactments, etc. We use these recollections of our national past to maintain a collective identity in the present, among other uses. These essays, edited by Cynthia Sugars and Eleanor Ty, explore how Canadian literature draws on aspects of cultural memory, past and future.Exploring memory as a "vector of signification" involves a wide range such concepts of as heritage, antiquity, nostalgia, elegy, ancestry, haunting, trauma, affect, aging, authenticity, commemoration,public history. Contributors to this collection consider literary treatments of both mainstream and alternative uses of cultural memory, past and contemporary, urban and rural. From well-known writers like Alice Munro, Al Purdy and Dionne Brand to recreations of Aboriginal pasts and less common topics like food and Mennonites, there is wide representation of Canada's literary diversity. And equally representative is the collection's historical spread, ranging across early explorer narratives tocontemporary works. The collection digs into some of the darker moments in our past (immigrant experiences, recollections of interned Japanese-Canadians in World War 2, and memories of Native childrenin residential schools). The sheer ambition of this collection suggests the multifaceted ways that Canada's past is part of our collective cultural memory now. A four-page colour insert - including Seth cartoons as well as unique, little known photography - provides a compelling visual context for the collection's treatment of the complex, multifaceted character of cultural memory in Canada.The collection is divided into five parts (amnesia, postmemory, recovery work,trauma, and globalization), all areas of research in the emerging field of cultural memory. These thought-provoking essays reflect the many ways the past infuses the present, and the present adapts thepast. Students and scholars will find this rich collection useful in upper-level courses in Canadian literature as well as in cultural studies. This wide-ranging collection of essays explores aspects of historical remembering in Canadian literature. Essays consider a range of topics, from Canada's earliest historical narratives to its most recent, and are representative of the country's regional character, as well as of the ongoing movement of peoples in immigration and diaspora. The book's division into five parts (amnesia, postmemory, recovery work, trauma, and globalization) reflect the many ways the past infuses the present, and how the present adapts the past. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780199007592
Quantité disponible : 1 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Series: Themes in Canadian Sociology. Num Pages: 512 pages, 8 b/w figures/8 colour images. BIC Classification: 1KBC; 2AB; DSB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 162 x 38. Weight in Grams: 762. . 2014. 1st Edition. Hardcover. . . . . N° de réf. du vendeur V9780199007592
Quantité disponible : 9 disponible(s)
Vendeur : Revaluation Books, Exeter, Royaume-Uni
Hardcover. Etat : Brand New. 1st edition. 512 pages. 8.00x5.00x2.00 inches. In Stock. N° de réf. du vendeur x-0199007594
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. Series: Themes in Canadian Sociology. Num Pages: 512 pages, 8 b/w figures/8 colour images. BIC Classification: 1KBC; 2AB; DSB. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 232 x 162 x 38. Weight in Grams: 762. . 2014. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780199007592
Quantité disponible : 9 disponible(s)
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. Neuware - Critics argue that contemporary western societies are immersed in a 'culture of memory,' devoting resources to national histories and heritage, commemoration, public re-enactments, etc. We use these recollections of our national past to maintain a collective identity in the present, among other uses. These essays, edited by Cynthia Sugars and Eleanor Ty, explore how Canadian literature draws on aspects of cultural memory, past and future. Exploring memory as a 'vector of signification' involves a wide range of topics such concepts of as heritage, antiquity, nostalgia, elegy, ancestry, haunting, trauma, affect, aging, authenticity, commemoration, public history. Contributors to this collection consider literary treatments of both mainstream and alternative uses of cultural memory, past and contemporary, urban and rural. From well-known writers like Alice Munro, Al Purdy and Dionne Brand to recreations of Aboriginal pasts and less common topics like food and Mennonites, there is wide representation of Canada's literary diversity. And equally representative is the collection's historical spread, ranging across early explorer narratives to contemporary works. The collection digs into some of the darker moments in our past (immigrant experiences, recollections of interned Japanese-Canadians in World War 2, and memories of Native children in residential schools). The sheer ambition of this collection suggests the multifaceted ways that Canada's past is part of our collective cultural memory now. A four-page colour insert - including Seth cartoons as well as unique, little known photography - provides a compelling visual context for the collection's treatment of the complex, multifaceted character of cultural memory in Canada.The collection is divided into five parts (amnesia, postmemory, recovery work, trauma, and globalization), all areas of research in the emerging field of cultural memory. These thought-provoking essays reflect the many ways the past infuses the present, and the present adapts the past. Students and scholars will find this rich collection useful in upper-level courses in Canadian literature as well as in cultural studies. N° de réf. du vendeur 9780199007592
Quantité disponible : 1 disponible(s)
Vendeur : Mispah books, Redhill, SURRE, Royaume-Uni
hardcover. Etat : New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book. N° de réf. du vendeur ERICA82901990075946
Quantité disponible : 1 disponible(s)