In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account in English of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concerned with exploring the ways in which music-particularly the many songs that were preserved-contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is, at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism. Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Shirli Gilbert is Assistant Professor of History at the University of Michigan.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concernedwith exploring the ways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is,at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism. Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time. Provides the critical account of the role of music amongst communities imprisoned under Nazism. This book documents a scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780199211180
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Paperback. Etat : new. Paperback. In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concernedwith exploring the ways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is,at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism. Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time. Provides the critical account of the role of music amongst communities imprisoned under Nazism. This book documents a scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780199211180
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Etat : New. Provides the critical account of the role of music amongst communities imprisoned under Nazism. This book documents a scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe. Series: Oxford Historical Monographs. Num Pages: 262 pages, numerous musical examples and halftones. BIC Classification: 1DFG; 3JJH; AV; HBJD; HBTB; HBWQ; JFSR1. Category: (G) General (US: Trade). Dimension: 232 x 157 x 19. Weight in Grams: 408. . 2007. Illustrated. paperback. . . . . N° de réf. du vendeur V9780199211180
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Etat : New. Provides the critical account of the role of music amongst communities imprisoned under Nazism. This book documents a scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe. Series: Oxford Historical Monographs. Num Pages: 262 pages, numerous musical examples and halftones. BIC Classification: 1DFG; 3JJH; AV; HBJD; HBTB; HBWQ; JFSR1. Category: (G) General (US: Trade). Dimension: 232 x 157 x 19. Weight in Grams: 408. . 2007. Illustrated. paperback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780199211180
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