Despite its widely acknowledged importance in and beyond the thought of the Romantic period, the distinctive concept of the symbol articulated by such writers as Goethe and F. W. J. Schelling in Germany and S. T. Coleridge in England has defied adequate historical explanation. In contrast to previous scholarship, Nicholas Halmi's study provides such an explanation by relating the content of Romantic symbolist theory - often criticized as irrationalist - to the cultural needs of its time. Because its genealogical method eschews a single disciplinary perspective, this study is able to examine the Romantic concept of the symbol in a broader intellectual context than previous scholarship, a context ranging chronologically from classical antiquity to the present and encompassing literary criticism and theory, aesthetics, semiotics, theology, metaphysics, natural philosophy, astronomy, poetry, and the origins of landscape painting. The concept is thus revealed to be a specifically modern response to modern discontents, neither reverting to pre-modern modes of thought nor secularizing Christian theology, but countering Enlightenment dualisms with means bequeathed by the Enlightenment itself. This book seeks, in short, to do for the Romantic symbol what Percy Bysshe Shelley called on poets to do for the world: to lift from it its veil of familiarity.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Educated at Cornell University and at the University of Toronto, Nicholas Halmi currently teaches English and comparative literature at the University of Washington in Seattle. He has lectured on Enlightenment and Romantic topics, particularly the concept of the symbol, in the US, Canada, UK, and Germany. He has been Advisory editor of Romanticism on the Net since 1996, review editor since 2004. He is an editorial board member of Modern Language Quarterly and was elected to the Modern Language Association's Committee on Scholarly Editions and to the Advisory Board of the North American Society for the Study of Romanticism in 2005.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. Despite its widely acknowledged importance in and beyond the thought of the Romantic period, the distinctive concept of the symbol articulated by such writers as Goethe and F. W. J. Schelling in Germany and S. T. Coleridge in England has defied adequate historical explanation. In contrast to previous scholarship, Nicholas Halmi's study provides such an explanation by relating the content of Romantic symbolist theory - often criticized as irrationalist - to thecultural needs of its time. Because its genealogical method eschews a single disciplinary perspective, this study is able to examine the Romantic concept of the symbol in a broader intellectual context thanprevious scholarship, a context ranging chronologically from classical antiquity to the present and encompassing literary criticism and theory, aesthetics, semiotics, theology, metaphysics, natural philosophy, astronomy, poetry, and the origins of landscape painting. The concept is thus revealed to be a specifically modern response to modern discontents, neither reverting to pre-modern modes of thought nor secularizing Christian theology, but countering Enlightenment dualisms with meansbequeathed by the Enlightenment itself. This book seeks, in short, to do for the Romantic symbol what Percy Bysshe Shelley called on poets to do for the world: to lift from it its veil of familiarity. The distinctive concept of the symbol, articulated by such writers as Goethe, Schelling, and Coleridge, is of the utmost significance in the literary, philosophical, and even scientific thought of the Romantic period. This interdisciplinary historical study examines the development of the concept in a jargon-free style that will appeal to a broad range of readers. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780199212415
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Etat : New. Num Pages: 216 pages, black & white illustrations. BIC Classification: ACVC; DSBF; HPJ; HPN. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 223 x 145 x 18. Weight in Grams: 403. . 2007. hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780199212415
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Hardcover. Etat : new. Hardcover. Despite its widely acknowledged importance in and beyond the thought of the Romantic period, the distinctive concept of the symbol articulated by such writers as Goethe and F. W. J. Schelling in Germany and S. T. Coleridge in England has defied adequate historical explanation. In contrast to previous scholarship, Nicholas Halmi's study provides such an explanation by relating the content of Romantic symbolist theory - often criticized as irrationalist - to thecultural needs of its time. Because its genealogical method eschews a single disciplinary perspective, this study is able to examine the Romantic concept of the symbol in a broader intellectual context thanprevious scholarship, a context ranging chronologically from classical antiquity to the present and encompassing literary criticism and theory, aesthetics, semiotics, theology, metaphysics, natural philosophy, astronomy, poetry, and the origins of landscape painting. The concept is thus revealed to be a specifically modern response to modern discontents, neither reverting to pre-modern modes of thought nor secularizing Christian theology, but countering Enlightenment dualisms with meansbequeathed by the Enlightenment itself. This book seeks, in short, to do for the Romantic symbol what Percy Bysshe Shelley called on poets to do for the world: to lift from it its veil of familiarity. The distinctive concept of the symbol, articulated by such writers as Goethe, Schelling, and Coleridge, is of the utmost significance in the literary, philosophical, and even scientific thought of the Romantic period. This interdisciplinary historical study examines the development of the concept in a jargon-free style that will appeal to a broad range of readers. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780199212415
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