Bluebeard', in which women are slaughtered by a monstrous husband and their bodies hidden in a horrible chamber, is the most hair-raising of tales; yet with its happy ending, it also has a utopian force.
Using the idiom of literary criticism, the study considers Bluebeard texts as a seismograph of gender politics and of the process of civilization from seventeenth-century France to 1990s Germany, in a broad range of canonical and non-canonical, often forgotten texts. The study discusses Charles Perrault's French version of 1697, through Ludwig Tieck's versions of 1797 and classic versions by the Grimms and Ludwig Bechstein, to nineteenth-century romantic fiction, the savagery of High Modernism, and twentieth-century versions such as that of the Surrealist Unica Zürn.
While the focus is on literature in German, this is the first full-length study published in any language of the history of Bluebeard, and it redefines the canon and our interpretations of this key tale.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Bluebeard', in which women are slaughtered by a monstrous husband and their bodies hidden in a horrible chamber, is the most hair-raising of tales; yet with its happy ending, it also has a utopian force. Using the idiom of literary criticism, the study considers Bluebeard texts as a seismograph of gender politics and of the process of civilization from seventeenth-century France to 1990s Germany, in a broad range of canonical and non-canonical, often forgotten texts. The study discusses Charles Perrault's French version of 1697, through Ludwig Tieck's versions of 1797 and classic versions by the Grimms and Ludwig Bechstein, to nineteenth-century romantic fiction, the savagery of High Modernism, and twentieth-century versions such as that of the Surrealist Unica Zürn. While the focus is on literature in German, this is the first full-length study published in any language of the history of Bluebeard, and it redefines the canon and our interpretations of this key tale.
The majority of her [Davies's] readings are perceptive and provocative ... her considerable expansion of the corpus of Bluebeard tales to some 70 texts and operas is commendable, especially as many of them have been forgotten for more than a century. (Times Higher Education Supplement)
One seldom encounters a work of literary cricicism that makes such compelling reading as this investigation of the Bluebeard motif in modern German literature ... it combines thorough scholarship with imaginative intepretation and intellectual sophistication ... this is an exciting book that deserves to be widely read and influential, both within and beyond German studies. (Journal of European Studies)
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. Bluebeard', in which women are slaughtered by a monstrous husband and their bodies hidden in a horrible chamber, is the most hair-raising of tales; yet with its happy ending, it also has a utopian force.Using the idiom of literary criticism, the study considers Bluebeard texts as a seismograph of gender politics and of the process of civilization from seventeenth-century France to 1990s Germany, in a broad range of canonical and non-canonical,often forgotten texts. The study discusses Charles Perrault's French version of 1697, through Ludwig Tieck's versions of 1797 and classic versions by the Grimms and Ludwig Bechstein, tonineteenth-century romantic fiction, the savagery of High Modernism, and twentieth-century versions such as that of the Surrealist Unica Zuern.While the focus is on literature in German, this is the first full-length study published in any language of the history of Bluebeard, and it redefines the canon and our interpretations of this key tale. 'Bluebeard', in which women are slaughtered and hidden in a horrible chamber by a monstrous husband, is hair-raising; yet its happy ending gives it a utopian force. Davies's book focuses on literature in German from the eighteenth century to the 1990s, and is the first full-length study of the history of Bluebeard published in any language. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780199242757
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Etat : New. 'Bluebeard', in which women are slaughtered and hidden in a horrible chamber by a monstrous husband, is hair-raising; yet its happy ending gives it a utopian force. Davies's book focuses on literature in German from the eighteenth century to the 1990s, and is the first full-length study of the history of Bluebeard published in any language. Series: Oxford Modern Language and Literature Monographs. Num Pages: 296 pages, bibliography, index. BIC Classification: 2ACG; 3JD; 3JF; 3JH; 3JJ; DSBD; DSBF; DSBH; JFSJ. Category: (P) Professional & Vocational. Dimension: 224 x 146 x 21. Weight in Grams: 468. . 2001. Hardback. . . . . N° de réf. du vendeur V9780199242757
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