Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Edith Hall is Leverhulme Professor of Greek Cultural History at the University of Durham and Co-Director of the Archive of Performances of Greek and Roman Drama, University of Oxford.
Fiona Macintosh is Senior Research Fellow at the Archive of Performances of Greek and Roman Drama, University of Oxford.
Amanda Wrigley is Researcher at the Archive of Performances of Greek and Roman Drama, University of Oxford.l
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : Very Good. Dionysus since 69: Greek Tragedy at the Dawn of the Third Millennium This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. N° de réf. du vendeur 7719-9780199281312
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paperback. Etat : Sehr gut. Auflage: Revised ed. 504 Seiten Aus der Bibliothek von Prof. Wolfgang Haase, langjährigem Herausgeber der ANRW und des International Journal of the Classical Tradition (IJCT) / From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). Very good, clean copy. Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds of classics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectual currents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization. 1. Introduction: Why Greek Tragedy in the Late Twentieth Century? Edith Hall SECTION I: Dionysus and the Sex War 2. Dionysus in 69 Froma I. Zeitlin 3. Bad Women: Gender Politics in Late Twentieth-Century Performance and Revision of Greek Tragedy Helene Foley 4. Heracles as Dr Strangelove and GI Joe: Male Heroism Deconstructed Kathleen Riley SECTION II: Dionysus in Politics 5. Sophocles' Philoctetes, Seamus Heaney's, and Some Other Recent Half-Rhymes Oliver Taplin 6. Aeschylus, Race, Class, and War in the 1990s Edith Hall 7. Greek Tragedy in Cinema: Theatre, Politics, History Pantelis Michelakis Greek Drama and Anti-Colonialism: Decolonizing 8. Classics Lorna Hardwick SECTION III: Dionysus and the Aesthetics of Performance 9. The Use of Masks in Modern Performances of Greek Drama David Wiles 10. Greek Notes in Samuel Beckett's Theatre Art Katharine Worth 11. Greek Tragedy in the Opera House and Concert Hall of the Late Twentieth Century Peter Brown SECTION IV: Dionysus and the Life of the Mind 12. Oedipus in the East End: from Freud to Berkoff Fiona Macintosh 13. Thinking about the Origins of Theatre in the 1970s Erika Fischer-Lichte 14. The Voices We Hear Timberlake Wertenbaker 15. Details of Productions Discussed Amanda Wrigley ISBN 9780199281312 Sprache: Englisch Gewicht in Gramm: 713. N° de réf. du vendeur 1222840
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Paperback. Etat : new. Paperback. Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This book is the first to address the fundamental question, why has there been so much Greek tragedy in the theatres, opera houses, and cinemas of the last three decades? A detailed chronological appendix of production information and lavish illustrations supplement the fourteen essays by an interdisciplinary team of specialists from the worlds ofclassics, theatre studies, and the professional theatre. They relate the recent appeal of Greek tragedy to social trends, political developments, aesthetic and performative developments, and the intellectualcurrents of the last three decades, especially multiculturalism, post-colonialism, feminism, post-structuralism, revisions of psychoanalytical models, and secularization. Greek tragedy is currently being performed more frequently than at any time since classical antiquity. This lavishly illustrated book is the first attempt fully to document and explain its revival. It assembles fourteen essays by specialists from classics, theatre studies, and the professional theatre, who relate the recent production history of Greek tragedy to social and academic trends. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780199281312
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