Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects to become first a means of challenging colonialism and then a rich field for creating cultural identities that blend the old and the new. Nobel prize-winners such as Derek Walcott and Seamus Heaney have rewritten classical material in their own cultural idioms while public sculpture in southern Africa draws on Greek and Roman motifs to represent histories of African resistance and liberation. These developments are explored in this collection of essays by international scholars, who debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires.
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Lorna Hardwick is Professor of Classical Studies and Director of the Reception of Classical Texts and Images Research Project at The Open University.
Carol Gillespie is Project Officer of the Reception of Classical Texts and Images Research Project at The Open University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Ancient World Books, Toronto, ON, Canada
Hardcover. Etat : Very Good+. Etat de la jaquette : Very Good+. Very light shelfwear to book and DJ. Scholar's name to ffep (Robert Brown). ; Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects to become first a means of challenging colonialism and then a rich field for creating cultural identities that blend the old and the new. Nobel prize-winners such as Derek Walcott and Seamus Heaney have rewritten classical material in their own cultural idioms while public sculpture in southern Africa draws on Greek and Roman motifs to represent histories of African resistance and liberation. These developments are explored in this collection of essays by international scholars, who debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires. ; Classical Presences; 420 pages. N° de réf. du vendeur 19493
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hardcover. Etat : Fine. Volume cartonato rigido di pagine XV-422, sovraccoperta figurata. Testo in lingua inglese, English text. Opera in ottime condizioni. Spedizione in 24 ore dalla conferma dell'ordine. Book. N° de réf. du vendeur 205897
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Hardcover. Etat : new. Hardcover. Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects to become first a means of challenging colonialism and then a rich field for creating cultural identities that blend the old and the new. Nobel prize-winners such as Derek Walcott and Seamus Heaney have rewritten classical material in their own cultural idioms while public sculpture in southern Africa draws on Greek and Roman motifs to representhistories of African resistance and liberation. These developments are explored in this collection of essays by international scholars, who debate the relationship between the culture of Greece andRome and the changes that have followed the end of colonial empires. Classical material was traditionally used to express colonial authority, but it was also appropriated by imperial subjects and put to new uses. In this collection of essays, international scholars debate the relationship between the culture of Greece and Rome and the changes that have followed the end of colonial empires. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780199296101
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