Esther Waters (1894) was one of the first English novels to defeat Victorian moral censorship. George Moore's story of a mother's fight for the life of her illegitimate son won Mr Gladstone's approval and was admitted, unaltered, into those bastions of Victorian conformity, the circulating libraries. Esther Waters is forced to leave home and become a servant in a well-to-do household. Seduced in a moment of weakness she has to leave her position and the novel charts her poignant story of poverty and hardship: first the lying-in hospital, then service as a wet-nurse, and even the workhouse as she struggles to look after her child. Adapting the French literary practices of sexual frankness and social exploration to the British climate, Moore produced his masterpiece in Esther Waters. A landmark in publishing history, it is also one of the finest of naturalistic novels.
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Esther Waters (1894) was one of the first English novels to defeat Victorian moral censorship. George Moore's story of a mother's fight for the life of her illegitimate son won Mr Gladstone's approval and was admitted, unaltered, into those bastions of Victorian conformity, the circulating libraries. Esther Waters is forced to leave home and become a servant in a well-to-do household. Seduced in a moment of weakness she has to leave her position and the novel charts her poignant story of poverty and hardship: first the lying-in hospital, then service as a wet-nurse, and even the workhouse as she struggles to look after her child. Adapting the French literary practices of sexual frankness and social exploration to the British climate, Moore produced his masterpiece in Esther Waters. A landmark in publishing history, it is also one of the finest of naturalistic novels.
George Augustus Moore (24 February 1852 – 21 January 1933) was an Irish novelist, short-story writer, poet, art critic, memoirist and dramatist. Moore came from a Roman Catholic landed family who lived at Moore Hall in Carra, County Mayo. He originally wanted to be a painter, and studied art in Paris during the 1870s. There, he befriended many of the leading French artists and writers of the day. As a naturalistic writer, he was amongst the first English-language authors to absorb the lessons of the French realists, and was particularly influenced by the works of Émile Zola. His writings influenced James Joyce, according to the literary critic and biographer Richard Ellmann, and, although Moore's work is sometimes seen as outside the mainstream of both Irish and British literature, he is as often regarded as the first great modern Irish novelist.
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