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The Self and its Shadows: A Book of Essays on Individuality as Negation in Philosophy and the Arts - Couverture rigide
Synopsis
Stephen Mulhall presents a series of multiply interrelated essays which together make up an original study of selfhood (subjectivity or personal identity). He explores a variety of articulations (in philosophy, psychoanalysis, and the arts) of the idea that selfhood is best conceived as a matter of non-self-identity--for example, as becoming or self-overcoming, or as being what one is not and not being what one is, or as being doubled or divided. Philosophically, a sustained reading of the work of Nietzsche and Sartre is central to this project, although Wittgenstein is also fundamental to its concerns; Mulhall therefore draws extensively on texts usually associated with 'Continental' philosophical traditions, primarily in order to test the feasibility of a non-elitist form of moral perfectionism. Within the arts, several essays examine various films whose themes intersect with those of the philosophers under study (including Hollywood melodramas, recent spy movies such as the Bourne trilogy and the latest incarnation of James Bond, and David Fincher's 'Benjamin Button'); Wagner's Ring cycle is a recurrent concern; and the novels of Kingsley Amis, J. M. Coetzee and David Foster Wallace are also prominent.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de l'auteur
Stephen Mulhall is a Professor of Philosophy, and a Tutorial Fellow of New College, Oxford. He was previously a Prize Fellow of All Souls College, Oxford, and a Reader in Philosophy at the University of Essex.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Self and Its Shadows: A Book of Essays on Individuality as Negation in Philosophy and the Arts
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Oxford University Press(UK), 2013
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ISBN 13 : 9780199661787
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Self and Its Shadows: A Book of Essays on Individuality as Negation in Philosophy and the Arts
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The Self and its Shadows: A Book of Essays on Individuality as Negation in Philosophy and the Arts
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ISBN 13 : 9780199661787
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Hardcover. Etat : new. Hardcover. Stephen Mulhall presents a series of multiply interrelated essays which together make up an original study of selfhood (subjectivity or personal identity). He explores a variety of articulations (in philosophy, psychoanalysis, and the arts) of the idea that selfhood is best conceived as a matter of non-self-identity--for example, as becoming or self-overcoming, or as being what one is not and not being what one is, or as being doubled or divided. Philosophically, asustained reading of the work of Nietzsche and Sartre is central to this project, although Wittgenstein is also fundamental to its concerns; Mulhall therefore draws extensively on texts usuallyassociated with 'Continental' philosophical traditions, primarily in order to test the feasibility of a non-elitist form of moral perfectionism. Within the arts, several essays examine various films whose themes intersect with those of the philosophers under study (including Hollywood melodramas, recent spy movies such as the Bourne trilogy and the latest incarnation of James Bond, and David Fincher's 'Benjamin Button'); Wagner's Ring cycle is a recurrent concern; and the novels of KingsleyAmis, J. M. Coetzee and David Foster Wallace are also prominent. Stephen Mulhall presents a series of multiply interrelated essays which explore the idea of selfhood as a matter of non-self-identity: for example, as becoming or self-overcoming, or as being doubled or divided. He draws on Nietzsche, Sartre, and Wittgenstein, but also on works of opera, cinema, and fiction. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9780199661787
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Self and its Shadows : A Book of Essays on Individuality as Negation in Philosophy and the Arts
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Oxford University Press, 2013
ISBN 10 : 0199661782
ISBN 13 : 9780199661787
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ISBN 13 : 9780199661787
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Hardcover. Etat : new. Hardcover. Stephen Mulhall presents a series of multiply interrelated essays which together make up an original study of selfhood (subjectivity or personal identity). He explores a variety of articulations (in philosophy, psychoanalysis, and the arts) of the idea that selfhood is best conceived as a matter of non-self-identity--for example, as becoming or self-overcoming, or as being what one is not and not being what one is, or as being doubled or divided. Philosophically, asustained reading of the work of Nietzsche and Sartre is central to this project, although Wittgenstein is also fundamental to its concerns; Mulhall therefore draws extensively on texts usuallyassociated with 'Continental' philosophical traditions, primarily in order to test the feasibility of a non-elitist form of moral perfectionism. Within the arts, several essays examine various films whose themes intersect with those of the philosophers under study (including Hollywood melodramas, recent spy movies such as the Bourne trilogy and the latest incarnation of James Bond, and David Fincher's 'Benjamin Button'); Wagner's Ring cycle is a recurrent concern; and the novels of KingsleyAmis, J. M. Coetzee and David Foster Wallace are also prominent. Stephen Mulhall presents a series of multiply interrelated essays which explore the idea of selfhood as a matter of non-self-identity: for example, as becoming or self-overcoming, or as being doubled or divided. He draws on Nietzsche, Sartre, and Wittgenstein, but also on works of opera, cinema, and fiction. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780199661787
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ISBN 13 : 9780199661787
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