In this study, Mark McInroy argues that the 'spiritual senses' play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, 'spiritual' realities. After a lengthy period of disuse, Balthasar recovers the doctrine in the mid-twentieth century and articulates it afresh in his theological aesthetics. At the heart of this project stands the task of perceiving the absolute beauty of the divine form through which God is revealed to human beings. Although extensive scholarly attention has focused on Balthasar's understanding of revelation, beauty, and form, what remains curiously under-studied is his model of the perceptual faculties through which one beholds the form that God reveals. McInroy claims that Balthasar draws upon the tradition of the spiritual senses in order to develop the means through which one perceives the 'splendour' of divine revelation.
McInroy further argues that, in playing this role, the spiritual senses function as an indispensable component of Balthasar's unique, aesthetic resolution to the high-profile debates in modern Catholic theology between Neo-Scholastic theologians and their opponents. As a third option between Neo-Scholastic 'extrinsicism', which arguably insists on the authority of revelation to the point of disaffecting the human being, and 'immanentism', which reduces God's revelation to human categories in the name of relevance, McInroy proposes that Balthasar's model of spiritual perception allows one to be both delighted and astounded by the glory of God's revelation.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mark McInroy is Assistant Professor of Systematic Theology at the University of St Thomas.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Etat : New. In this study, Mark McInroy argues that the 'spiritual senses' play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, 'spiritual' realities. Series: Changing Paradigms in Historical and Systematic Theology. Num Pages: 240 pages. BIC Classification: 3JJ; HRCC7; HRCM; HRCS. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 145 x 227 x 19. Weight in Grams: 420. . 2014. Hardback. . . . . N° de réf. du vendeur V9780199689002
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Hardcover. Etat : new. Hardcover. In this study, Mark McInroy argues that the 'spiritual senses' play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, 'spiritual' realities. After a lengthy period of disuse, Balthasar recovers the doctrine in the mid-twentieth century and articulates it afresh in his theological aesthetics. Atthe heart of this project stands the task of perceiving the absolute beauty of the divine form through which God is revealed to human beings. Although extensive scholarly attention has focused onBalthasar's understanding of revelation, beauty, and form, what remains curiously under-studied is his model of the perceptual faculties through which one beholds the form that God reveals. McInroy claims that Balthasar draws upon the tradition of the spiritual senses in order to develop the means through which one perceives the 'splendour' of divine revelation.McInroy further argues that, in playing this role, the spiritual senses function as an indispensable componentof Balthasar's unique, aesthetic resolution to the high-profile debates in modern Catholic theology between Neo-Scholastic theologians and their opponents. As a third option between Neo-Scholastic'extrinsicism', which arguably insists on the authority of revelation to the point of disaffecting the human being, and 'immanentism', which reduces God's revelation to human categories in the name of relevance, McInroy proposes that Balthasar's model of spiritual perception allows one to be both delighted and astounded by the glory of God's revelation. In this study, Mark McInroy argues that the 'spiritual senses' play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, 'spiritual' realities. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9780199689002
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Etat : New. In this study, Mark McInroy argues that the 'spiritual senses' play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, 'spiritual' realities. Series: Changing Paradigms in Historical and Systematic Theology. Num Pages: 240 pages. BIC Classification: 3JJ; HRCC7; HRCM; HRCS. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 145 x 227 x 19. Weight in Grams: 420. . 2014. Hardback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9780199689002
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Hardback. Etat : New. In this study, Mark McInroy argues that the 'spiritual senses' play a crucial yet previously unappreciated role in the theological aesthetics of Hans Urs von Balthasar. The doctrine of the spiritual senses typically claims that human beings can be made capable of perceiving non-corporeal, 'spiritual' realities. After a lengthy period of disuse, Balthasar recovers the doctrine in the mid-twentieth century and articulates it afresh in his theological aesthetics. At the heart of this project stands the task of perceiving the absolute beauty of the divine form through which God is revealed to human beings. Although extensive scholarly attention has focused on Balthasar's understanding of revelation, beauty, and form, what remains curiously under-studied is his model of the perceptual faculties through which one beholds the form that God reveals. McInroy claims that Balthasar draws upon the tradition of the spiritual senses in order to develop the means through which one perceives the 'splendour' of divine revelation. McInroy further argues that, in playing this role, the spiritual senses function as an indispensable component of Balthasar's unique, aesthetic resolution to the high-profile debates in modern Catholic theology between Neo-Scholastic theologians and their opponents. As a third option between Neo-Scholastic 'extrinsicism', which arguably insists on the authority of revelation to the point of disaffecting the human being, and 'immanentism', which reduces God's revelation to human categories in the name of relevance, McInroy proposes that Balthasar's model of spiritual perception allows one to be both delighted and astounded by the glory of God's revelation. N° de réf. du vendeur LU-9780199689002
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