Picturing the Apocalypse: The Book of Revelation in the Arts over Two Millennia - Couverture rigide

O'Hear, Natasha; O'Hear, Anthony

Couverture rigide

ISBN 10 : 0199689016 ISBN 13 : 9780199689019

Editeur : OUP Oxford, 2015

A propos du livre

Revue de presse :

Well-organised, cogently argued, expertly composed, erudite yet approachable, and masterfully researched, Picturing the Apocalypse is a worthwhile tour among all things apocalyptic. The authors chart a clear path through a thicket of theological and æsthetic considerations without losing their way. (Eric Hoffman, The Fortean Times)

The judges...admired its tight, elegant and eloquent structure, its liveliness and accessibility, its timeliness and its originality and analysis of imagery and idea. (ACE/Mercers Book Award press release)

In Picturing the Apocalypse, Natasha O'Hear and Anthony O'Hear tackle [the Book of Revelation] with vigour, taking us on an almost breathless tour d'horizon. We are guided through treatments of the key elements of Revelation in art from the Middles Ages to the present. The O'Hears encourage us to get behind some of the most popular images, discover their original meanings and, where appropriate, to apply modern moral sensitivities to challenge aspects of the text itself ... fascinating reading ... (Andrew Hammond, Times Literary Supplement)

This book provides a thoughtful coverage of the subject with a close examination of text and image by means of detailed treatment of selected examples ... for a stimulating treatment of a complex subject, it is to be thoroughly recommended. (C.M. Kauffmann, Burlington Magazine)

Extraordinary book (Jane O'Grady, Times Higher Education)

clearly organized, and beautifully written ... impeccable, yet always accessible scholarship and effortless interdisciplinarity combining New Testament biblical study, art-historical method and what is now known as reception history. (Theology)

This study of the Book of Revelation in the Arts over two millennium is a true blast to the modern mind and imagination. (Northern Echo, Steve Craggs)

Natasha and Anthony O'Hear, a father-and-daughter team of theologian and philosopher, both fascinated by artistic achievement, [provide] a clear diagram of Revelation's contents; it's worth keeping a bookmark there to keep a handle on John's programme... Like the Book of Revelation itself, you don't have to read this study in a linear fashion: you could pick out your favourite artist, composer or novelist from the index, and see how successive episodes of the vision have fired them. (Times, Diarmaid MacCulloch)

To tackle so large and potentially difficult a topic is a significant challenge and the O'Hears have chosen an accessible and uncluttered format ... Despite the complexity of the primary material (both literary and visual) the authors avoid convoluted ramblings and the text is highly readable. (Chloë Reddaway, Art and Christianity)

Deliciously prescient and yet extraordinarily civilised... father and daughter team Anthony and Natasha O'Hear really get to grips with all things apocalyptic by dint of applying a beautifully polished magnifying glass to the world's ur-apocalyptic text, Revelation... The O'Hears are scrupulously fair-minded and reasonable. They are inclusive. They are erudite (a healthy sprinkling of 'eschatons' 'macro-narratives' litters the text) but never intimidating... They are kind. They are measured. And this is what makes Picturing the Apocalypse such an engrossing, delightful and ultimately uplifting read... Perhaps if one lesson alone might be learned from the O'Hears' thoughtful and thought-provoking enterprise, it's that beauty (and, by extension, art), while in some senses perfectly defenceless, can never fail to bring us closer to the sublime. (Spectator, Nicola Barker)

Présentation de l'éditeur :

The book of Revelation has been a source of continual fascination for nearly two thousand years. Concepts such as the Lamb of God, the Four Horsemen, the Seventh Seal, the Beasts and Antichrist, the Whore of Babylon, Armageddon, the Millennium, the Last Judgement, the New Jerusalem, and the ubiquitous angels of the Apocalypse have captured the popular imagination. One can hardly open a newspaper or click on a news site without reading about impending financial or climate-change Armageddon, while the concept of the Four Horsemen pervades popular music, gaming, and satire. Yet few people know much about either the basic meaning or original context of these concepts or the multiplicity of different ways in which they have been interpreted by visual artists in particular. The visual history of this most widely illustrated of all the biblical books deserves greater attention. This book fills these gaps in a striking and original way by means of ten concise thematic chapters which explain the origins of these concepts from the book of Revelation in an accessible way. These explanations are augmented and developed via a carefully selected sample of the ways in which the concepts have been treated by artists through the centuries. The 120 visual examples are drawn from a wide range of time periods and media including the ninth-century Trier Apocalypse, thirteenth-century Anglo-Norman Apocalypse Manuscripts such as the Lambeth and Trinity Apocalypses, the fourteenth-century Angers Apocalypse Tapestry, fifteenth-century Apocalypse altarpieces by Van Eyck and Memling, Dürer and Cranach's sixteenth-century Apocalypse woodcuts, and more recently a range of works by William Blake, J.M.W. Turner, Max Beckmann, as well as film posters and film stills, cartoons, and children's book illustrations. The final chapter demonstrates the continuing resonance of all the themes in contemporary religious, political, and popular thinking, while throughout the book a contrast will be drawn between those readers of Revelation who have seen it in terms of earthly revolutions in the here and now, and those who have adopted a more spiritual, other-worldly approach.

À propos de cette édition

• Éditeur: OUP Oxford
• Date d'édition: 2015
• ISBN 10: 0199689016
• ISBN 13: 9780199689019
• Reliure: Relié
• Nombre de pages: 368