The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. The book is organized around three core thematic sections. The first, Sights & Sounds, concentrates on interaction between the experience of seeing and the experience of hearing. Sound, Space & Matter expands the idea of music to include environmental sounds, vibrating frequencies, homemade instruments, linguistic utterances, noise and silence. Architecture, likewise, faces a similar discourse that examines non-material spaces, environments, human habitats, performances, destruction and void. Enhanced by advanced digital technologies, this aesthetic shift opened the door for endless experiments, which give a new context to theoretical issues such as medium, matter and process in creating and perceiving art. In the third section, Performance, Performativity & Text, music as a performing art provides the point of departure. The new light shed by modernism and the avant-garde on the performative aspect of music have led it - together with sound and text - to become active in new ways in contemporary dance, theatre and the visual arts. The chapters in the handbook make and prove their arguments using case studies in contemporary art, music, and sound as illustrations, building upon exsiting thought as a foundation for discussion. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners.
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Yael Kaduri is a musicologist who teaches in the History and Theory Department of Bezalel University and in the Cinema and TV Arts Department of Sapir College.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Lacey Books Ltd, Cirencester, Royaume-Uni
Hardcover. Etat : Very Good. 2016 OUP hardcover edition. Unread copy in very good condition. The Oxford Handbook of Sound and Image in Western Art is the first book to examine, under one umbrella, different kinds of analogies, mutual influences, integrations and collaborations of audio and visual in different art forms: painting, sculpture, installation, architecture, performance art, animation, film, video art, visual music, multimedia, experimental music, sound art, opera, theatre and dance. Sitting at the cutting edge of the field of music and visual arts, the book offers a unique, at times controversial view of this rapidly evolving area of study. The chapters in the handbook make and prove their arguments using case studies in contemporary art, music, and sound as illustrations, building upon exsiting thought as a foundation for discussion. Artists, curators, students and scholars will find here a panoramic view of cutting-edge discourse in the field, by an international roster of scholars and practitioners. Contents: 1. Introduction: Audiovisual Spaces of Physical Comprehension - Yael Kaduri 2. American Rhapsody: From Modern to Postmodern in Visual Music - Judith Zilczer 3. Between Generation and Suspension: Two Modern Audiovisual Modes - Ruth HaCohen 4. Convergence of Time and Space: The Practice of Visual Music from an Electroacoustic Music Perspective - Bret Battey and Rajmil Fischman 5. When Music Unfolds into Image: Conceiving Visual Concerts for Kaija Saariaho's Works - Jean-Baptiste Barriere and Aleksi Barriere 6. Sculpting Image and Sound: On Herman Kolgen's Audiovisual Projects - Cornelia Lund 7. Seeing Sound, Hearing the Body: Glenn Gould Plays Webern's Piano Variations - Nicholas Cook 8. Choreo-Musical Relationships in Mark Morris's All Fours (2003) - Rachel Duerden 9. 'Sound Houses': Music, Architecture, and the Postmodern Sonic - Nicholas Till 10. Microsound and Macrocosm: Gerard Grisey's Explorations of Musical Sound and Space - Julia Kursell and Armin Schafer 11. The Affective Experience of Space: Janet Cardiff and George Bures Miller - Mirjam Schaub 12. Sound, Image, Dance, and Space in Intermedial Theatre: Past and Present - Petra Maria Meyer 13. Body Soundscape: Perception, Movement, and Audiovisual Developments in Contemporary Dance - Enrico Pitozzi 14. Acoustical Properties: Practicing Contested Spaces in the Films of Philippe Grandrieux - Randolph Jordan 15. Silence and Void: Aesthetics of Absence in Space and Time - Dieter Daniels 16. Toward a Theory of Experimental Music Theatre: 'Showing-Doing,' 'Non-Matrixed Performance,' and 'Metaxis' - Bjorn Heile 17. Showing Dance: Lecture Performances in Dance since the 1990s - Gabriele Brandstetter 18. Object and Idea: Music in the Art of Kandinsky, Duchamp, Paik, and Marclay - Simon Shaw-Miller 19. Audiovisual Aesthetics in Contemporary Experimental Film - Gabriele Jutz 20. The Spatial Expansion of Language in Sound Poetry of Western and Eastern Europe - Endre Szkarosi 21. The Dramaturgy of Sound and Vocality in the Theatre of Societas Raffaello Sanzio - Valentina Valentini 22. Between Speech, Music, and Sound: The Voice, Flow, and the Aestheticizing Impulse in Audiovisual Media - John Richardson. N° de réf. du vendeur RA-GF3Z-Y5ZZ
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Vendeur : Greenworld Books, Arlington, TX, Etats-Unis
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Etat : New. Series: Oxford Handbooks. Num Pages: 552 pages, illustrations. BIC Classification: AC; AN; AP; AVA. Category: (G) General (US: Trade). Dimension: 182 x 255 x 34. Weight in Grams: 1074. . 2016. Illustrated. hardcover. . . . . N° de réf. du vendeur V9780199841547
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
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